A Quote by Dave Barry
So when I open the door on Halloween, I am confronted by three or four imaginary heroes, such as G.I. Joe, Conan the Barbarian and Oliver North, who would look very terrifying except that they are three feet tall and facing in random directions. They stand there silently for several seconds before an adult voice hisses from the darkness behind them: "Say 'Trick or treat!
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Sure, I do wish I sometimes got to play more heroes, but hey, I can't beat the fact that I am working constantly. Anyway, look at me. I'm six-four, three feet wide, have a really deep voice, and this face; I'm not precisely the romantic comedy stereotype, right?
You read about these oyster-shucking contests: Somebody did 100 oysters in three minutes, three seconds. I'm lucky if I can open one in three minutes, three seconds.
He had one uniform practice, and a very bad one it was, during the time of family worship, and just three or four seconds before the conclusion of the prayer, he started to his feet, and ran barking round the apartment like a crazed beast.
Let him treat you like a lady and open the car door for you. If he doesn't automatically open the door for you, stand by the darn thing and don't get into the vehicle until he realises he needs to get hid behind out of the driver's seat and come round and open the car door for you. That's his job!
Maybe a better way to put it on this Halloween Day is to say, 'It's not a trick or much of a treat, but it's all you get if you come knocking on the Commission's door today.
If a wig is funny when it's two feet tall, why not make it three feet tall? Or ten?
Suppose you're on a game show, and you're given the choice of three doors. Behind one door is a car, the others, goats. You pick a door, say #1, and the host, who knows what's behind the doors, opens another door, say #3, which has a goat. He says to you: 'Do you want to pick door #2?' Is it to your advantage to switch your choice of doors?
Childhood was terrifying for me. A kid has no control. You’re three feet tall, flat broke, unemployed, and illiterate. Terror snaps you awake. You pay keen attention. People can just pick you up and move you and put you down.
Childhood was terrifying for me. A kid has no control. You're three feet tall, flat broke, unemployed, and illiterate. Terror snaps you awake. You pay keen attention. People can just pick you up and move you and put you down.
It was such a whirlwind for us for about three to four years there that, every time we turned around, we were pulled in 90 different directions, and I look back on that now, and they're such wonderful memories, but you kinda wish that you would've taken the time to savor them a little bit more.
There's a time I can recall
Four years old and three feet tall
Trying to touch the stars and the cookie jar
And both were out of reach
You have to stand every day three or four hours of visitors. Nine-tenths of them want something they ought not to have. If you keep dead-still they will run down in three or four minutes. If you even cough or smile they will start up all over again.
I push throughthe wind to the north-facing window and stand before it. 'I will bring her back!' I shout into the darkness. I do this because I know Rhauk will be listening.
If you are explaining, you're losing. It's a bumper sticker culture. People have to get it like that, and if they don't, if it takes three seconds to make them understand, you're off their radar screen. Three seconds to understand, or you lose. This is our problem.
He wove those three threads into a talk ranging from annually spending a week at Halloween as a child collecting candy to giving candy to hundreds of children at Halloween as an adult; from childhood assistance he received from adults, particularly after his parents divorced, to saying I challenge you to be a caring adult in someone's life ... Great times call forth great leaders.
Performers should realize they not only have to prepare themselves for concert purposes as far as memorizing their programs goes, but for the business of just walking out before the people …. It is important to play before an imaginary audience too. Before I play in public I very often play a program three or four times as though I were seated before a actual audience.
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