A Quote by Dave Barry

I was really bummed when I got to the last one of Tony Hillerman Navajo detective books. — © Dave Barry
I was really bummed when I got to the last one of Tony Hillerman Navajo detective books.
Well you know I've been fan of Tony Hillerman's books for years.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
When the Americans were trying to conquer the Navajos, they felt this need to capture Canyon de Chelly like it was the Navajo capital. It was a meeting place and a sanctuary of last refuge. To control Canyon de Chelly was to control the Navajo people.
I don't want to dis anybody, but someone like Robert Parker. I first read a Spenser book maybe 20 years ago and then read every one that came out. I did that with Tony Hillerman too.
What I try to do is write a story about a detective rather than a detective story. Keeping the reader fooled until the last, possible moment is a good trick and I usually try to play it, but I can't attach more than secondary importance to it. The puzzle isn't so interesting to me as the behavior of the detective attacking it.
I always have one or two, sometimes more, Navajo or other tribes' cultural elements in mind when I start a plot. In Thief of Time, I wanted to make readers aware of Navajo attitude toward the dead, respect for burial sites.
'True Detective' was the last show I got crazy about, with its 'Silence of the Lambs'-style landscape and those strip mall badlands of America.
My wartime experiences developing a code that utilized the Navajo language taught how important our Navajo culture is to our country. For me that is the central lesson: that diverse cultures can make a country richer and stronger.
As far as this categorization of books, the way I see it is there are really a hundred-odd categories of books plus one, and on the top shelf at home, I've got the books I love, my favorite books, and that's the type of book that I want to write.
Anytime you come in and you have a player like Tony go down, it's always different. You can't be a Tony Parker, but I think it's just staying focused and doing what got me here.
There are only two kinds of books which you can write and be pretty sure you're going to make a living ? cook books and detective stories.
I think there's part of me that's longing to play a Sherlock Holmes or sort of a House character, like a real detective. Like a real, moody detective. Like a real, sarcastic, mentally ill detective. I think it would be really fun to do something like that.
That's the trouble with playing a cutting-edge narcotics detective - you've got to wear what's topical at the moment. My kids tease me about outfits I was wearing last week, let alone in the eighties.
I never, ever want to be in a position where people are sitting round a table, saying, 'We've got this book. I don't really get it, but we paid for it, so we've got to sell it.' I'm not Tony Parsons; that's not right for me.
I got into comics about the same time as music. By 12 years old, I had discovered my dad's killer comic book collection filled with Silver Age books from his youth...early Spider-Man, Thor, Fantastic Four, The Hulk, Detective Comics, Action Comics, you name it. Seeing those old books got me interested in new comics, so my friends and I would hit the local comic shop every Saturday to pick up the cool titles of my generation.
The old detective story that's got a really complicated motive doesn't apply to mine.
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