A Quote by Dave Brubeck

The worst thing about the life of a jazz musician on the road is getting to the gig. Once you're there and playing, it's marvelous. — © Dave Brubeck
The worst thing about the life of a jazz musician on the road is getting to the gig. Once you're there and playing, it's marvelous.
In the early days I was on the road 45-50 weeks a year, driving from gig to gig 6-8 weeks in a row. Not everyone can do that. The show becomes the easy part. Tt's the life on the road that is the hardest... and you can't get any good at standup unless you do the road.
I played a gig at the Montreax Jazz Festival once - and on a song called 'It's All Gone,' I had to do free-form slide solo. It's the best thing I've ever done - because I wasn't thinking about it.
The loss of a sexual life is one of the worst things about getting really old. The worst thing.
If your gig is not in an office for eight hours a day, its going to be somewhere. If you're a truck driver, you get on a road. If you're a musician, you go to where the people are going to show up and you take the gig. I enjoy it, so I don't and I'm not complaining. Its just the traveling can get to be a bit much.
Jazz is a big thing with me. It's a very big passion of mine, to play it. I'm an amateur musician and I love everything about it. I was obsessed with jazz when I was 15 years old and I know a lot about it because I've loved it so much.
I'm not a jazz musician, because, I mean, firstly, I can't play anything. I'm not bad on the tamborine. I have a certain way with the triangle. But I'm not a jazz musician ... my band, they always joke, they always say that I'm a disposable, pop, jazz superstar.
Once you lose that musician part -not just the playing, I'm talking about musician attitude- then you're lost, man. Especially if you started out that way. It feels so good to be back, starting from the ground up.
I would not describe myself as an avid jazz fan and I am not a jazz musician myself. However, that is not to say that jazz does not play a vital and important role in my life.
I'm not a jazz artist. Don't get me wrong now, it's all music to me. I just played music and if it's likeable, someone liked the sound, then fine, but I'm not interested in being a jazz musician. I don't consider myself a jazz musician. I don't have anything to do with that word.
I always leaned toward free jazz... experimental jazz and progressive jazz. I feel like jazz is just part of the flavor and palette that you have as a musician to experiment with.
I always tell my students when you're going to be a jazz musician the first thing you've got to do is be a professional musician, and that means you have to feed yourself with the instrument.
I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
At a certain point, I became a kind of musician that has tunnel vision about jazz. I only listened to jazz and classical music.
If you can play guitar and sing, you can probably get a gig down the road playing at a restaurant, but don't throw your life away chasing something that is so elusive it will only lead you to regret and may turn you bitter.
The hardest thing about being a young musician on the jazz scene is that there are so many styles of music, jazz and otherwise, that you're exposed to. The challenge is to use all that in your own way, to personalize all that has come before you and all that is happening around you. To get the music the way you want it, there's a lot of work involved.
Playing live is what it's all about for me. It's cathartic, it's emotional, it's about communing with people. The way you feel after a gig is a such a powerful thing.
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