A Quote by Dave Brubeck
I knew even if I'm a cowboy, I'm going to be involved in jazz in some way.
Related Quotes
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
If I knew what it was going to look like, I wouldnt be so excited to be a part of it. Jazz is a music of surprise; its a music of spontaneity. I think jazz musicians live--I know I do--for being surprised and not knowing whats going to come next.
People are always going to say, 'Who's he beat? He's only beat Cowboy.' So what you're trying to tell me is Cowboy is a nobody? Cowboy will be remembered as one of the greatest fighters of all time. And I beat him in one round.
The hardest thing about being a young musician on the jazz scene is that there are so many styles of music, jazz and otherwise, that you're exposed to. The challenge is to use all that in your own way, to personalize all that has come before you and all that is happening around you. To get the music the way you want it, there's a lot of work involved.
I belonged to the Columbia Record Club, and that's where my records came from. For some reason, I was in the 'jazz' category. I got Benny Goodman records and Miles Davis, J.J. Johnson and Kai Winding, and that kind of stuff. I really was not a jazz guy at all, but I knew some of those names.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
I loved cowboy movies when I was a kid. When I was five years old, I was already wearing a cowboy hat and suit. When I grew up, I knew John Wayne, Clint Eastwood, Kirk Douglas and so on.
I always knew, that in some way, I'd be connected to, and involved in, the music business.
I knew being accepted was going to be hard, but I knew I was involved in a situation that was going to bring opportunities to other blacks.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
In New York, I was excited about the music in New York because the only music that I was more or less involved with in the South was either country and western or hillbilly music as we used to call it when I was a kid and, ah, gospel. There was no, there was no in between. And when I got to New York all the other musics that's in the world just came into my head whether it was the classics, jazz, I never knew what jazz was about all, had heard anything about jazz.
Even drunk, I knew any escape plan that involved going to Detroit, Michigan, was a harbinger of doom.
And what happened was, it's the same thing an older, more successful writer of ficition might say to a student: write about what you know. And what I knew - of course I knew jazz, but I also knew country, blues and some rock and roll. And that came out.
Word of advice, kid. This may be the Wild West down here, but you ain't a cowboy. You're not even a boy in a cowboy suit.
When I found out I was going to be a Dallas Cowboy, I just knew I would have to adapt fast. I knew everything would happen real fast. I didn't really have time to think about it, to be honest.
I just knew that I was funny, and I knew that it was just a matter of time. I didn't know what was going to actually happen - this is definitely way bigger than I thought - but I knew there was no way I was going to be that funny, and nobody was going to notice it.
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