A Quote by Dave Clark
I wanted to stop while we were still getting big hits. The only thing I miss is the actual performing.
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I have performed many puppet and non-puppet characters in my career. Some I miss, some I do not. But when I miss them, I only miss performing them. The actual sweatiness of the fur and foam and fleece? Not so much.
What I realized is that it doesn't matter how big or small your film is. The actual filmmaking process, the actual storytelling, it's still the same thing. It's still all about creating characters that you like and creating moments that get you excited or get you tense.
Our songs did not transcend being R&B hits. They were R&B hits that white kids were attracted to. And if people bought it, it became rock & roll. That's marketing. Why couldn't it still be R&B? The bass pattern didn't change. The song didn't change. It was still 'Yakety Yak' and 'Searchin'.'
Picasso and Matisse were the guys I wanted to get away from, and cubism is all still lifes. Their paintings are all closed drawings. And still life is a perfect form for that. By the mid-'50s, I sort of dropped the still life. The large picture was a way of getting around them, too. The abstract expressionists were also into the large form because it was a way of getting around Matisse and Picasso. Picasso can't paint big paintings. Matisse didn't bother after a certain point.
I think just getting up and getting to the desk is a big thing. If you can do that, you're in the zone because there're so many distractions that can stop you. From my bedroom to my office isn't really that far, but I have to go via the kitchen and there's so many things that can stop me and interrupt me.
I planned to stop in 2002 after the Salt Lake City Olympics. I felt able to remain competitive another four years, and I wanted to stop while I'm still at the top.
I miss her all the time. I know in my head that she has gone. the only difference is that I am getting used to the pain. It's like discovering a great hole in the ground. To begin with, you forget it's there and keep falling in. After a while, it's still there, but you learn to walk round it.
Pop was initially ignored as a moneymaker by the recording industry. In the seventies they were still relying on Frank Sinatra and Tony Bennett for their big hits. You know, most of the budget for the record companies in those days went to the classical department - and those were big budget albums.
A preoccupation with achievement is not only different from, but often detrimental to, a focus on learning. Thoughts and emotions while performing an action are more important in determining subsequent engagement than the actual outcome of that action.
It's kind of weird. You can have hits, but it's hard to sustain a career. I went through that period where I didn't have a lot of hits, although people were still buying the records.
I jerked to a stop at the door to my room. "What's wrong with my boots?" I said, thinking they were the only thing that I was going to keep on. Ah…the only thing from this outfit, not the only thing total.
The only criterion we used in doing cover material was we wanted to do songs that we wished bands would play when we went out. We were doing Yardbirds and Rolling Stones cover songs-which is not any big deal, but where we were from, all we were getting were Top 40 bands.
When you watch the sitcoms that were the big hits when I was growing up, TV was still just TV. It was allowed to just be TV. There were three channels that were competing for the whole family and you couldn't take your business elsewhere.
You don't ever really let go, though. You don't stop. You don't stop hurting, you don't stop loving. It doesn't go away, you just keep living and eventually things get pushed into the background of your life so it's not consuming you every day. It still hurts, you still miss that person. And then one day you know you're okay.
I would like to have children while I've still got the energy. But then I have the feeling that when I have children I'll stop performing in the same way, because you don't really need to perform if you have children.
I started performing very young as a salsa dancer, and every time I was on that stage dancing, all I knew was that I wanted to speak. I wanted the music to stop, and I wanted to speak.
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