A Quote by Dave Davies
A lot of our music came out of a lot of weird psychology and weird emotions. When you play the whole body of work, you get tossed all over the place. It's not easy listening. It's not even comfortable to listen to.
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I listen to Frank Sinatra before my fight a lot, and I also listen to Orisha music, so both of those, I need, it's weird. It's a weird combination.
I listen to a lot of different kind of music. A lot of weird-ass music, like weird-ass, old Portishead.
I am so all over the place with my music taste, it's ridiculous. It is! I mean, I find myself listening to weird things like hardcore techno music and then I'll be listening to mainstream hip-hop music. But it's like I am so crazy with my music taste. I'll listen to a song, I'll become obsessed with it, and then I'm on to the next one. So it's just very inconsistent.
Listen, I know how old I am and that I'm just a shoulder injury from losing roles like the one in Taken. So I stay with the training, I stay with the work. It’s easy enough to plan jobs, to plan a lot of work. That's effective. But that’s the weird thing about grief. You can’t prepare for it. You think you’re gonna cry and get it over with. You make those plans, but they never work.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
After a couple of failed attempts, I came up with a weird tuning where I was dropping the G string down a step so that it became a seventh, and it got me to a place where I could play all these figures fairly easily. It was not an easy thing to work out.
I was a weird kid. I shouldve been gay because I listened to a lot of Broadway musicals. I dont know why Im not gay. I listen to a lot of jazz and world music, like African or Cuban music. Something that has vitality to it. A lot of the American stuff just feeds on itself.
Weird stuff, for me, is not that weird. I guess if it were other people, they'd think it was weird. I eat nutritional yeast. And sometimes I take clay shots to help pull toxins out of my body. I eat weird L.A. food, so I guess that's probably weird in other people's eyes.
I spent a lot of time making music and touring around the country and living the weird life. I was just trying to keep a job and get by. So in a lot of ways, I went through a strange version of film school. So you live through a lot of things, and put them into your work.
I've played a lot of weird women. I play crazy ladies, and I've played a lot of insane women and weird best friends that are not sexually desirable.
If I make a movie that has a whole bunch of music in it, I get to listen to the music all day long, and I don't have to say, 'Well, I gotta go back to work and I gotta stop listening to the music.' I get to listen to music and go to work.
His [Michael Jackson] behavior was weird, but when you get an artist and a genius, many of the geniuses throughout our whole history were weird. And they did weird things because none of us could understand what was on their mind and why they did what they did.
As an artist, I always just want to grow as a songwriter. I listen to a lot of music. I listen to music all the time, whether it's hip-hop or soul or rock or whatever. I'm always listening to music and trying to learn from other songwriters and how they tap into certain emotions and communicate more clearly.
I listen to a lot of alternative types of music: I listen to a lot of Chinese music, I listen to a lot of Asian music. It might surprise you, but I listen to a lot of Arabic music. And I don't care - music is music.
Early on I was a lot more unsure of myself on stage. When our band The Decemberists was getting bigger audiences I was more concerned about alienating them, so I wasn't as willing to take risks and do weird stuff on stage. But once you get more accustomed to it you tend to have more fun with it and not worry about being pilloried for acting out. Whenever you play in front of 400 or 500 more people than you're used to it's always a weird, transitional period.
Our marriage, like many others, has had its ups and its downs. It took a lot of work and a whole lot of therapy to get to a place where I could forgive Anthony. It was not an easy choice in any way. But I made the decision that it was worth staying in this marriage. That was a decision I made for me, for our son and for our family.
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