A Quote by Dave Eggers
Tim O'Brien's book about Vietnam, The Things They Carried, has won every award, is studied in college and is considered to be definitive. But it's fiction.
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Tim O'Brien's book about Vietnam, 'The Things They Carried', has won every award, is studied in college and is considered to be definitive. But it's fiction.
Since I was a kid. I had this series by Ballantine Books about the history of World Wars I and II. In my 20s, it was the Vietnam War literature of novelists like Tim O'Brien, Philip Caputo, and Tobias Wolff, and then nonfiction such as "A Bright Shining Lie" by Neil Sheehan and "The Best and Brightest" by David Halberstam . Those are the two best histories of Vietnam.
'The Things They Carried' is labeled right inside the book as a work of fiction, but I did set out when I wrote the book to make it feel real... I use my own name, and I dedicated the book to characters in the book to give it the form of a war memoir.
In fact, I always assumed that most everything I read was true, to one degree or another. I couldn't articulate this fact until after I read Tim O'Brien's The Things They Carried and he discussed Happening Truth, Story Truth, and Emotional Truth. I always understood that the facts of The Sun Also Rises or On the Road were the facts as dictated by a certain narrative structure, but because the experiences of those characters echoed my own feelings about the world. I knew there was a Happening Truth behind them.
Every book that comes out, every article that comes out, talks about how - while it may have been a "mistake" or an "unwise effort" - the United States was defending South Vietnam from North Vietnamese aggression. And they portray those who opposed the war as apologists for North Vietnam. That's standard to say. The purpose is obvious: to obscure the fact that the United States did attack South Vietnam and the major war was fought against South Vietnam.
I'm very excited about some of the novels that I have adapted. I think they're equally as powerful, if not more. Going After Cacciato (by Tim O'Brien) is something I'm very passionate about.
I love fiction. I like reading short stories. Cupcakes, pop songs, Polaroids, and short stories. They all raise and answer questions in a short space. I like Lorrie Moore. Amy Hempel. Tim O'Brien. Raymond Carver. All the heartbreakers.
By the time I wrote my memoir, 'Men We Reaped,' I had been running from writing it for a long time. When the events in the book were happening, I knew I'd probably write about them one day. I didn't want to. I'd studied fiction, and I was committed to establishing myself as a fiction writer first.
I was 20, and my reality was that people either went to college full-time, or they were draftable. The dear friends that I went to high school with that didn't go to college eventually wound up in Vietnam, and I noticed that they came home different. I was in Ohio during the Vietnam War era.
Somebody said, "Well, you're going to write your definitive book about your life, biography." No, I'm not. I haven't done that. I wrote a book of letters which gives an insight into the real me as opposed to the public perceptions of me. But I'm convinced historians will figure out the things we got wrong and hopefully the things we got right.
Theatre outings are my favourite thing to spend money on. The most influential play I saw was 'Bent,' which starred Ian McKellen. And I loved the original performance of 'The Rocky Horror Show,' with Richard O'Brien and Tim Curry at the Royal Court, when I was about 15.
The annual award of $5,000 goes to an author for a meritorious book published in the previous year for children or young adults. Scott O'Dell established this award to encourage other writers--particularly new authors--to focus on historical fiction. He hoped in this way to increase the interest of young readers in the historical background that has helped to shape their country and their world.
As a science fiction fan, the Nebula Award and the Hugo Award mean a lot to me.
Everybody had to go to some college or other. A business college, a junior college, a state college, a secretarial college, an Ivy League college, a pig farmer's college. The book first, then the work.
Our bassist, Tim Staffell, was at art college with Frederick Bulsara, who changed his name to Freddie Mercury and joined the band on vocals after Tim left in 1970.
That was par for the course but I also found that commissions were being canceled and in fact I considered this directly libelous - I write biographies for a living as well as being a journalist - for a non fiction book to be called fiction from beginning to end.
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