A Quote by Dave Eggers
When anybody starts out with a memoir, you get the impulse to tell your own story with your own voice, and you get all that out in one fell swoop sometimes.
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If you're really going to uncover something as an artist, you're going to come into access with parts of your personality and your psyche that are really uncomfortable to face: your own ambition, your own greed, your own avarice, your own jealousies, and anything that would get in the way of the purity of your own artistic voice.
To name the world in your own terms, to tell your own story, is an act of authority and power. When you write, you are saying, in effect, 'I have a voice. I have a story. This is what I have to say.'
The best time to tell your story is when you have to tell your story. When it's not really a choice. But then, when you get that first, messy, complicated version down, you have to read it over and be very tough on yourself and ask, 'Well what's the story here?' If you're lucky enough to have someone you trust looking over your shoulder, he or she can help you if [you] lack perspective on your own story.
Make time in your life to listen to your own voice. Do not let it get drowned out by others. Your voice is yours and yours alone. Stay in touch with it and use it.
People have been telling me I'm a failure and that I'm doing it all wrong for 20 years now. Never trust anybody when they tell you how your story goes. You know your story. You write your own story.
When you are telling your story, hold your own ink pen. Don't let anybody else tell your story.
I was working within a figurative representational framework, and there was a sense of reading the painting as a transparency, or truth, or autobiography, which I think is partially the burden of artists of color - or women, or anybody who is representing a so-called minority position. Are you actually telling a true story, or your own story? You don't just get to tell a story. The readings of the work didn't necessarily conform to my own understanding of mythology, where violence and eroticism and the body and all of these different forms coexist all the time.
I couldn't have articulated this process at the time; I just sort of did it instinctually. But now when I talk about this with my students all the time, it's one of the first things I address in memoir classes - that you have to put it all in because you're writing your way into the ending of your own story. Even if you think you know what the story is, you don't until you write it. If you start leaving things out you could leave out vital organs and not know it.
If you get mad about how your voice sounds when it comes out of your own mouth, it's not really my fault. Go ahead and be yourself.
Here in L.A., you kind of get stuck in your own little dilemmas and your own little life, and hearing a story like Pocahontas' reminds you there's a bigger world out there, and there are so many more important things in life.
I think that you find your own way. You have your own rules. You have your own understanding of yourself, and that's what you're going to count on. In the end, it's what feels right to you. Not what your mother told you. Not what some actress told you. Not what anybody else told you but the still, small voice.
To me, it makes more sense to write different songs and to play different kinds of music and to find your own voice. But no matter what, get out and play for people. Get out and learn, and do everything that you can, you know?
Stay true to your own voice, and don't worry about needing to be liked or what anybody else thinks. Keep your eyes on your own paper.
Train yourselves. Don't wait to be fed knowledge out of a book. Get out and seek it. Make explorations. Do your own research work. Train your hands and your mind. Become curious. Invent your own problems and solve them. You can see things going on all about you. Inquire into them. Seek out answers to your own questions. There are many phenomena going on in nature the explanation of which cannot be found in books. Find out why these phenomena take place. Information a boy gets by himself is enormously more valuable than that which is taught to him in school.
I came out of UCB and, before that, punk rock, and the whole deal was you do it yourself. Get up and rent the space, get up and press your own records, get up and silkscreen your own tees, get it done yourself. That sort of self-reliance will only serve me. Any time I lose sight of that, my career suffers.
I don't think an actor needs to necessarily go through his things to do his job. I think it's way more important to imagine. And then, when you're imagining, your experiences, your images and your own personal things will show up, but you keep imagining. You don't get stuck in your own personal things, otherwise you are telling your story in every character, and that's not interesting for anybody.
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