A Quote by Dave Eggers
I always like the idea of doing interviews with somebody but completely seriously not ever mentioning what that person is generally known for.
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Honestly, I want to be known as a great ball player, but it's more important for me to be known as a good person. Like seriously, the greatest gift you have as a person is to give something to somebody else.
But even when I do give interviews, I always come across as such a completely different person. It seems like there's no controlling it anyway.
I always figure, you come to a party, you gotta know somebody. And somebody leads to another person and leads to somebody else, somebody else. That's one of things that I really enjoy doing.
I used to do interviews - I still do - interviews every day, all day. And you go from maybe doing a couple of professional interviews, where you can hear the sound right, to everyone else sounds like they're at the bottom of the Atlantic Ocean.
Before doing any interviews I like to know who I'm meeting with and get a bit of an idea of their sensibilities.
It's human when you get the sense that somebody likes you or is attracted to you - unless you're just completely repulsed by the person - I find that my first reaction is to entertain the idea.
It's cool to express myself, but I've had to learn that doing interviews isn't completely therapy - spilling everything about yourself isn't healthy all the time. But I've been through things that have made me a stronger person, and if I can help some people, I will.
Mentioning violence to Bruce was like mentioning chocolate sauce to a six-year-old.
We've always talked about doing something else and Campbell Scott is always busy and I'm always busy. But when we came up with the idea of doing the potato famine as a hip hop musical, I wanted somebody who was going to bring gravity.
A lot of people don't know me. I was a man in a suit for many years, but it's really gonna work to my advantage and I've always known that. I'm turning 30 in a month... that's something for me to look at. Generally when people see me and greet me, they're kind of astonished at what I really am. It's all about playing character and really becoming somebody else. I've always said, "Acting is nothing more than paid schizophrenia if you're doing it right.".
Don't ever, ever, believe anyone who tells you that you can just get by, by doing the easiest thing possible. Because there's always somebody behind you who really wants to do what you're doing. And they're going to work harder than you if you're not working hard.
When I'm doing interviews, I'm doing interviews, and when I am writing, I'm writing. I sit there with a musician and I write. It's the same process since I started writing in my twenties. I like to come in and leave with a finished song.
A lot of comedies are based on the reaction shot. You have one person doing something stupid and one person is generally the straight man, and the laughs generally come on the reaction of the straight man to the funny thing the other person has done.
I always have this red nose in my pocket, and if it looks like I'm taking things too seriously, or the person I'm talking to is taking them too seriously, I put the nose on. It doesn't matter what we're doing or talking about, it doesn't matter if we agree or disagree, the nose changes everything.
I'm always open to somebody else having a better idea, but I feel like, if it feels real, then people aren't thinking about it and they're just doing the acting of it.
I've always been a night person. There's a sense of virtue attached to getting up in the morning and doing things and starting the day, and I always felt bad for not being that person. But as I've gotten a bit older, now I'm completely okay with it. That's just who I am.
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