A Quote by Dave Foley
I think we carry around the idea of being a Kid in the Hall as part of our identity. It's a big part of how we see ourselves now.
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Maybe I had a 'secret identity,' but then when you think about it, don't we all? A part of ourselves very few people ever get to see. The part we think of as 'me.' The part that deals with the big stuff. Makes the real choices. The part everything else is a reflection of.
I think that our work and our music stands on its own without this knowledge about our identity around it. But I also think that we very consciously decided not to hold back that part of ourselves, but to be very vocal about who we are, kind of what experiences we've had in life, and how we identify.
Part of our identity is the idea that racism is still there and that we are vulnerable to it. So, the question is, 'How vulnerable?' In other words, is it really a problem for us, or is it just a small thing. How do you evaluate racism in America on a scale of 1 to 10? My suspicion is that most blacks overrate it a bit. Not to say it's not there, but we overrate it because this masking is part of our relationship to the larger society. This is a way we keep whites on the hook. We keep them obligated, and we keep ourselves entitled. There's an incentive, you see, to inflate it a little bit.
I'm not sure how each one of us sees ourselves in the band, but we're being part of this ritual of identity where people see Café Tacvba as something Mexican, as a representation of the Mexican. The songs, the music, the energy given in a concert. Sometimes I question that there's not much decision from our part, like there's something that leads us to this. Something beyond.
Fashion is not trivial. It's a huge industry and a big part of our lives. Fashion is about us - how we look and present ourselves, how we can change ourselves, and our perceptions. You can dress up to be quite glorious creatures - it's all a very important part of life.
I look around the world, I don't see America's influence growing around the world. I see our influence receding, in part because of the failure of Barack Obama to deal with our economic challenges at home; in part because of our withdrawal from our commitment to our military in the way I think it ought to be; in part because of the turmoil with Israel.
That's grossing money for other people that has a multiplying factor, but the government doesn't see that. It doesn't see that making a film or culture or art is part of our economy. But the main reason is this, it's part of our identity. I think cinema is the memory and the imagination of the country. Take the memory and imagination out of an individual and he's stops being an individual.
Home is essentially a set of values you carry around with you and, like a turtle or a snail or whatever, home has to be something that is part of you and can be equally a part of you wherever you are. I think that not having a home is a good inducement to creating a metaphysical home and to being able to see it in more invisible ways.
A huge part of my identity is being a woman, and that's really important for me, and that's a big part of my self-expression, so I think it's really interesting sort of exploring what it means if someone doesn't have that.
When I was a kid, I don't think I even knew what being gay was, and now it's just part of our culture. It's changing so rapidly right now. It's great.
We don't feel part of the country scene any longer, it can't be our home any more... So we now consider ourselves part of the big Rock 'n' Roll family.
I think lingerie plays a big part in how you carry yourself.
There's something about the superheroes and the idea behind their relationship with humans, whether it's a metaphor for the better part of ourselves, or the more flawed part of ourselves. So it seems to really be our own pop-culture version of Greek mythology.
I attribute being a good center fielder to many things, but being outside with friends as a kid, running around and racing, that was a big part of it.
I'm sure my desire to perform came, in part, from being around politics as a kid. My dad had a big personality, and a lot of the people involved in Boston politics have big personalities, so there were all kinds of wacky people around.
Being Nigerian is a strong part of my identity. Being American is a strong part of my identity. And there are important parts of who I am that really have nothing to do with my national connection.
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