A Quote by Dave Foley

And I met Paul Simms while I was making 'It's Pat', and he later wound up casting me in 'NewsRadio.' — © Dave Foley
And I met Paul Simms while I was making 'It's Pat', and he later wound up casting me in 'NewsRadio.'
And I met Paul Simms while I was making 'It's Pat', and he later wound up casting me in 'NewsRadio'.
My first year with the Giants they cut Phil Simms. That was the best thing to ever happen to me because George Young loved Phil Simms and it just made me realize that it's a business and you can't take it personally.
At the end. First start off and do your youth thing In Hollywood and then go to New York later. But it wound up being later, later than I thought it was going to be.
So I'm here, and not being one for missed opportunities, I made a list of the casting directors in New York and mark off the ones I've already met over the years. The few remaining I asked my agent and manager, "See if you can set up some meetings while I'm here."
But I always wound up being the damn John, when I wanted to be the Paul.
I try not to have too specific notions because it messes up the process later on. I leave it very open to interpretation until I start casting. Everything changes a lot when you start casting. I mean everything.
I met Dylan on 'Pat Garrett and Billy the Kid.' We buddied around for quite a while after that. We jammed together; he liked my Mexican songs.
A pretty pivotal moment for me was having a songwriting class with Paul McCartney when I was at LIPA, and then being called in a few days later by the headmaster of the school to tell me that Paul McCartney likes what I'm doing.
When you think about me talking to Rick Santorum or Pat Buchanan or one of these old guys, part of what makes that a joyful experience for me is that in my head I'm thinking, He has to talk to me. Like, poor Pat Buchanan, all the things you've done and you end up having to talk to me.
When you're dressed up as David Bowie, with your eyebrows completely bleached, and you're doing this kind of strange dance with Paul McCartney while singing "Rebel Rebel" in the middle of the Met ball, and Madonna's looking at you . . . I was just thinking, It's become a bit weird.
I'm not too comfortable going into the details, but yes, my love story with Andrei is beautiful and magical. We first met while I had gone diving in the Maldives. He didn't even know who I was when we first met. It was only later that he found out I'm an actress.
Steve Howe met Paul Simon and said that Paul was very approving of our version of 'America.'
I felt that film (Let It Be) was set up by Paul for Paul. That is one of the main reasons the Beatles ended. I can't speak for George, but I pretty damn well know we got fed up of being sidemen for Paul. After Brian died, that's what happened, that's what began to happen to us. The camera work was set up to show Paul and not anybody else. And that's how I felt about it.
The Pop art I wound up doing came to me purely from 'Mad' comics. I loved the idea of doing fun stuff. I met an art dealer who wanted to show the work - that was in January 1962 - and that was the beginning for me.
I was modeling while I was in university and my agency said, 'There's this fashion campaign, can you go?' And I didn't want to; I told him I wanted to focus on my acting, but I ended up going, kind of dragging my feet, and it turns out, the casting director for it was the casting director for Lars von Trier's new movie.
Casting director was a part-time thing, which later became a full-time job because there was a lack of casting directors in our industry and people were looking for professionals to do it.
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