A Quote by Dave Franco
I think 99 percent of actors have gone through severe rejection before they ever landed a single role. I probably auditioned for 100 projects before I was cast in even the smallest role.
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I think typically you'd start in a supporting role or an ensemble role, or maybe even an off-Broadway role. So to come into a lead role on Broadway, especially taking over a role that has been played by two phenomenal actors in the past, that is some large shoes to fill.
I don't see myself as one type of actor. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully. And so, it becomes an easier thing to see you as, for casting directors and directors, and they start to think of you as that particular person or type of character. But, for me, I'm just an actor, first and foremost. The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role.
Developing aesthetic sense is vital for actors. They must understand that there is no small role, only small actors. A good actor will do the smallest role to perfection, and be recognised.
Has it ever occurred to you how lucky you are to be alive? More than 99 percent of all the creatures that have ever lived have died without progeny, but not a single one of your ancestors falls into that group! ... Not a single one of your ancestors, all the way back to the bacteria, succumbed to predation before reproducing, or lost out in the competition for a mate.
In N.Y.C., I auditioned for mostly 'quirky friend' roles. Since casting directors in L.A. lacked a preconceived notion of me, I was able to reinvent my type a bit, which was essential in booking the role of Amanda on 'Ugly Betty.' I don't believe I would have auditioned for that role in N.Y.
We're all clichés, all following scripts that have been written and played out long before we landed the role.
I've always thought of myself as a role model even before being a 'celebrity.' I've always been doing charity work and volunteering in the community since I was 8, so when you do that, I think you just assume that role when you put yourself out there.
Right before 'Brian's Song' there was a period when I was very despondent, broke, depressed; my first marriage was on the rocks. The role of Gale Sayers had been cast with Lou Gossett, and then he hurt himself playing basketball. I was called in to read for the role. I was their last choice, and I knew it.
Before 'Lucky Louie,' nobody would ever cast me to play a mom or a wife; nobody ever saw me in that role, which is weird, since that's who I really am.
My first ever-ever professional role was in a television show in England called 'Love Soup.' It starred Tamsin Greig. I just played a small role - I think officially my role was 'teenage boy' - it was one episode.
I was overjoyed when I was offered the title role in 'Well Done Abba.' I was ready for the role even before I heard the story because you don't ask questions when it is Shyam Benegal's film. It is the chance of a lifetime.
Before I was cast for 'Brothers,' we all knew that Karan Johar was looking for an actress for to play a mother's role. I never thought that he would think of casting me.
A dream role is a role that you can't even picture for yourself. Everything I've ever played I never pictured I would get a chance to play. It [has] gone beyond my wildest dreams. One thing I would love to do in my lifetime is a movie musical. I've wanted to do that since I was a kid. That's what made me interested in acting in the first place. I would do any type of musical, but I love the Harlem Renaissance era. I think a dream role in something that I probably can't see and I don't know when it's going to come.
People may know me from films, but theater is my first love. I did about 35 plays before I even landed my first screen role. I'm very comfortable on stage, and theater is not something you can just wing.
Look, I always say this, 99 percent of people in the UFC would be gone if they have made $100 million.
Every role you play is literally - and I've said this before - every single role that you play, the only way you can connect to that character is because that was a piece of you that was scattered around that yard, almost like we got caught up in some whirlwind
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