A Quote by Dave Gibbons
One of the attractions for me of having 'Watchmen' made into the first Motion Comic was just that - it was breaking new ground.
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I'm a massive comic book fan. I was buying weekly installments of "The Watchmen", and "From Hell", and "Parallax" and "Johnny Nemo". I was a huge comic book fan as a kid and I still am. Me and my youngest son are both comic book nerds together; make models and stuff.
I am proud of having drawn the first comic about a lesbian - and it didn't even occur to me that I was drawing a first. I just wanted to tell the story of my roommate.
I think that, for me, Superman just seemed to make a lot of sense to me. After doing 'Watchmen,' it was - you know that thing, you've got to know the rules before you can break them? There was something about that in making 'Watchmen.'
With the 'Watchmen' comic, we attempted to tell it in an accessible way. I deliberately made the artwork very clear, deceptively so. You think you're sucking on a sweetie, but it turns out to be a sugar-coated chili.
The difference between 'Watchmen' and a normal comic book is this: With 'Batman's Gotham City,' you are transported to another world where that superhero makes sense; 'Watchmen' comes at it in a different way, it almost superimposes its heroes on your world, which then changes how you view your world through its prism.
I didn't write superheroes for the first 10 years of my comic career. I was just doing fan fiction. I wasn't thinking about superheroes at all, even though I loved them. I was raised by Watchmen and Dark Knight, so I was raised in with it's all been done, they don't worry about that.
It's always been very important to me to try to do projects which are breaking new ground.
Just driving I just was in a car on flat ground and I couldn't make it go. Having ticked driving and taken three driving lessons, I just was unable to produce any motion whatsoever under perfectly normal circumstances. I think we've all been busted on driving, and riding.
My role as an artist helps me tremendously in breaking down each story. Pacing, layout, movement - having drawn a few thousand pages, I understand the language of comic books very well.
Whatever is in motion must be put in motion by another. If that by which it is put in motion be itself put in motion, then this also must needs be put in motion by another, and that by another again. But this cannot go on to infinity, because then there would be no first mover, and, consequently, no other mover; seeing that subsequent movers move only inasmuch as they are put in motion by the first mover; as the staff moves only because it is put in motion by the hand. Therefore it is necessary to arrive at a first mover, put in motion by no other; and this everyone understands to be God.
Energy and motion made visible – memories arrested in spaceTechnic is the result of a need new needs demand new technics total control denial of the accident States of order organic intensity energy and motion made visible memories arrested in space, human needs and motives acceptance.
The first comic I read was a Spider-Man comic, and my introduction to it was through my family. My cousins are a lot older than me, and they've been huge comic book fans, from the jump.
It's to be expected that you make mistakes when you're breaking new ground.
Anyone who sets foot into the Watchmen universe and isn't just a little nervous should be given a few days of electroshock therapy. I've always considered Watchmen to be one of the best graphic novels ever written, and when it came out back in 1986 I was as blown away as everyone else. Just masterful.
Anyone who sets foot into the 'Watchmen' universe and isn't just a little nervous should be given a few days of electroshock therapy. I've always considered 'Watchmen' to be one of the best graphic novels ever written, and when it came out back in 1986 I was as blown away as everyone else. Just masterful.
What can I say? I like breaking ground and exploring new things.
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