A Quote by Dave Grohl
What we feel most comfortable doing is playing loud, screaming rock songs.
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Aerobics is a really whacked-out way to get going. The loud rock 'n' roll music and the teachers standing before you, doing the exercises and screaming into the microphone, "Go! Go! Go for the burn!"
I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.
I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs... I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.
The music that I'm known for is quiet and gentle, although when I was growing up and as a teenager, I was playing the opposite - I was screaming and playing bass and those loud electric guitars.
When I'm singing my songs on stage, I feel like I'm doing a rock show, even though I don't think all my music is particularly straight up rock.
I was leaving my violin out of a lot of songs, and that's a strange thing to do because I've been playing the violin since I was 2. It's a part of me. Adding pedals and sounds is great because I get to play the instrument I feel most comfortable on and the one I feel gives my truest expression when I'm making a solo or anything like that.
I remember, from aged six to nine, I was loud and abrasive and loved making noise and loved playing instruments and doing all those things. When I was about ten, I realised I could get attention by doing that, so when I was eleven, I started writing songs.
With every performance I just feel more energized somehow. Like, this is how I exercise! This is how I feed my ego, by playing this loud rock music.
If I were doing a real rock show, slapping the phone book in time to the music, grooving with the songs, then it would matter to know how I felt about what I was playing. You can't fake it in that situation. But I'm just counting them down as they appear on the chart, 1 through 40. What really matters is what I say between the songs.
I don't feel comfortable doing interviews. My profession is music, and writing songs. That's what I do. I like to do it, but I hate to talk about it.
I feel like I'm naked in front of the crowd, 'cause these words are my diary, screaming out loud.
I've also gotten messages from men and women who are not the most attractive, in their minds, or are self-conscious about their weight. They're thanking me for doing songs like 'Proud Mary' and shaking a tailfeather, because they say I seem real comfortable in my skin and it made them want to be comfortable in theirs.
I can work with shyness, but for the most part I want people to feel comfortable with me. It's really more about the photographer feeing comfortable right when they walk in that makes the subject feel comfortable.
I've been playing basketball my entire life, so I feel comfortable doing what is asked of me.
The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.
I don't know that I feel comfortable playing a villain; as a matter of fact I probably don't feel comfortable, which is why I like it so much. It's just an opportunity to try something different.
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