I've always been a fan of melody and emotional melancholy, whether it was Rites of Spring or Tears for Fears or Neil Young. If I hear a song that has a sweet melody, I'm a sucker for it, whether it's Linkin Park or Little Richard.
I've always liked string sections. I'm a sucker for melody, so it's fun to have strings add more layer of melody in the arrangement.
Ever since I was a child I've always been very attracted to melodies. Whether I hear Jeff Beck, a choir, an ocean or the wind, there's always a melody in there.
I think the melody is the first time I hear in a song and if I like the melody, then I'll pay closer attention to the lyrics.
There's nothing prettier in the world than a melody. I can get lost in a song with a melody. A lot of times I have, and the song wasn't that good, but I would get lost in that melody, and I'd want to do the song.
[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
The melody and the structure of a song always comes first for me, so the emotions behind it can sometimes be a challenge: What am I feeling about this song? Where did the melody come from? I want it to be heartfelt.
I knew a lot of chords, but they weren't the chords that came with the melody that came with the idea I had for the song. Melodies are simple things. If you see a train wreck, there's a melody. If you see a little daisy blowing in the breeze, there's a melody.
I don't really have a set-in-stone process or formula. Sometimes the melody is there and I have to chase down the lyrics. Sometimes, the song is there and I have to make the melody fit. What I've learned so far about songwriting is that I can't force a song. If I try to do that, it's hollow, and people know a hollow song when they hear it. It's the song they stop listening to and forget about. I'd prefer not to write those kinds of songs.
I kind of always thought that I had a good ear for melodies. I think in terms of melody. I can just be walking and I'll hear a melody.
I've always felt that the game itself is pretty much a melody and I am there to provide the lyrics. You want the lyrics to match the melody, because if you are composing a song or recording a song, it's cacophonous if they don't match.
Melody always comes to me first before words - cadence and melody. When you're humming the melody and it's incredible and words start coming out it can build into something special.
There's nothing prettier in the world than a melody. I can get lost in a song with a melody.
When I start to write a song, I have the words and I have the melody, and then it's just a matter of making it to the end. I think if I have something that I could identify as a talent, it would be that I can finish a song. I kind of know intuitively where the melody should go.
In Hungary all native music, in its origin, is divided naturally into melody destined for song or melody for the dance.
If the melody is telling me this is what the song is about, then I'm sort of forced into confession, autobiography or fantasy. If I don't do that, I've hamstrung the melody.
When I write a song, I get the melody right first, and then hopefully I can back it up with a lyric that has to respect the melody.