A Quote by Dave Grohl

There's poetry in being the band that can sell out Wembley but also makes a record in a garage. I don't like doing what people expect me to do. — © Dave Grohl
There's poetry in being the band that can sell out Wembley but also makes a record in a garage. I don't like doing what people expect me to do.
I certainly didn't predict people who spent years actively disliking the band to all of a sudden like the band. That's pretty funny to me, and it makes playing live kind of interesting, 'cos we're doing lots of things that don't really have a lot to do with that record, and even presenting the songs off that record in a way that's a little more muscular and without as much of the sheen, which is what I think part of what people really liked [about Kaputt].
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
Being in a band is very much like a startup. You start in a garage. You hope to get interest from investors, like a major record label.
If you're in a garage band, it's about being better than the band in the next-door garage. But in the folk tradition, it's more a vibe of sharing.
When I started making films I just decided "I'm the filmmaking equivalent of a garage band and I'll just make my garage band movies." But even the same musicians from garage bands would go to my movies and you could tell what they liked from the way that they dressed and they would be the first ones to walk out.
I like being out front, doing what I do, but then I also like playing in a band too. I'd like to do stuff like I did with Deee-lite. I went out and played with them and they were the stars, that was cool.
We've been through the experience of being in high school and starting a band. Then we were also a garage band, while we were going to college, trying to make ends meet.
I know what it takes to make a band, how they should interact, what makes a record sound like it's a band - everything having to do with a band, I happen to be into.
Apart from me, Tyson Fury, and Deontay Wilder, you can't sell out Wembley.
We went from being a band that was recording songs in my bandmate's bedroom to a band that's doing extensive touring and had a record on the Billboard charts and everything happened insanely fast, but it's not something that I sought out. It just happened.
It's a strange thing, this idea that for some reason, if a lot of people like what you're doing, it's therefore not very good. We use the phrase that a band have 'sold out.' Just so you know, if you're doing a gig and you sell all your tickets, that is a brilliant thing to do.
I was 21. At the time, I was under the thumb of my label, and I felt like I had to do, say and act out everything they asked me to do. I was trying to please them and the public and finally I had to say, "Enough. I'm going to make a record that makes me happy and addresses all facets of being a woman. I don't care if I sell one or one million records." That's how I came to make Stripped.
My dream right now is - and I don't know how to do it, and I don't know if it will work exactly - but just this sort of vague aspiration to start some kind of website where people send in their stories or poems, and me or perhaps some other people turn that into music. And then by the end of the year we make a record and actually put it out. Like a band, but the band is actually a combination of the musician and the fan. I think that's a very 21st-century way of doing it.
At Plymouth I wrote 'Neil Warnock's Wembley Way', a one-year diary, to show people what being a manager was like. I got lucky as the year ended with us winning promotion through the play-offs at Wembley.
I've always had a love for poetry and when I got signed to a record label I thought, 'How odd that I'm doing a record before a book of poetry.'
I've always had a love for poetry and when I got signed to a record label I thought, 'How odd that I'm doing a record before a book of poetry,'
This site uses cookies to ensure you get the best experience. More info...
Got it!