A Quote by Dave Grohl

When Nirvana became popular, you could very easily slip and get lost during that storm. I fortunately had really heavy anchors - old friends, family. — © Dave Grohl
When Nirvana became popular, you could very easily slip and get lost during that storm. I fortunately had really heavy anchors - old friends, family.
So many of my family and friends had lost their battles against cancer. What could I do that my relatives and friends had not? What could I do that would be different?
When I met Eric Clapton, I was a very young girl. I was 20 years old. And we were linked for a very short time, and then we became friends. And then we lost touch, which I'm really sorry about.
My strength has always been my family and my friends who are like family. The business can chew you up and spit you out and if you don't have some calm in the storm, it's a very lonely journey. My family and friends love me whether I'm working or not and that makes all the difference.
I thought how tenuous the links were between mother and children between friends family things you think are eternal. Everything could be lost more easily than anyone could imagine.
Love was also an easy word, used carelessly. Felons and creeps could offer it coated in sugar, and users could dangle it so enticingly that you wouldn't notice that it had things attached - heavy things, things like pity and need, that were weighty as anchors and iron beams and just as impossible to get out from underneath.
The two brothers who sought to get their only family back, to feel her warmth, one lost his last family member and the other could never feel warmth again. The one who wanted her baby back lost chance of having one again, And the one who had a vision to see his country change became blind.
Poverty became something one could see and experience firsthand, no matter where one was on the economic ladder; it became something you could viscerally experience through the lives of friends, family, neighbors, colleagues. I'd venture to say it's a rare person in 2013 America who knows nobody who lost a job in the recession, or knows nobody whose home went underwater or who went into foreclosure.
I have great family and good friends; the stories I told became popular, and people all over the world bought them.
Hallmark has been really, really good to me. It is very much like a family. I'm friends with producers here, not because 'maybe if I befriend this person they'll give me a job,' but because they're good humans and we became friends in the process of working together.
There are two types of people-anchors and motors. You want to lose the anchors and get with the motors because the motors are going somewhere and they're having more fun. The anchors will just drag you down.
If I had a magic wand, I would live in a building in New York, big enough so my friends, my family could all have apartments in it. We'd raise our kids in the same space and have backyard barbecues and get old and fat together.
Lines slip easily down the accustomed grooves. The old designs are copied so glibly that we are half inclined to think them original, save for that very glibness.
When I first left Indianapolis, I was only 20 years old and moved out to Utah and had no friends or family there. I had my teammates but I was the youngest player and everyone had a family so video games and being able to play them with my friends, it was like I was hanging out with them.
The dark night of the soul for me was one night in Florida, when I had been on the road for about four years and I realized that everybody around me was on my payroll, that my old friends hadn't been in touch with me and my family didn't know where to get me. I was a very unhappy guy and it was because I was really alone.
I really bristle when I get called to events and people introduce me as one of the top black anchors in the country. You know, that's very insulting. I'm striving to be one of the best anchors in the country. Handcuff me like that. What you're saying is, 'You're black. You should only expect to rise to the level of the best at being black.'
I did a short film at Outfest, 'Where Are the Dolls,' based on an Elizabeth Bishop poem done, where I play this woman who is sort of walking the streets and ends up alone dancing in a club. I have this hot and heavy scene with a very beautiful actress. It became very popular.
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