A Quote by Dave Grohl

I don't think of Kurt as 'Kurt Cobain from Nirvana'. I think of him as 'Kurt'. It's something that comes back all the time. Almost every day. — © Dave Grohl
I don't think of Kurt as 'Kurt Cobain from Nirvana'. I think of him as 'Kurt'. It's something that comes back all the time. Almost every day.
I was in Ann Arbor, and I was told that this singer-songwriter guy wanted to meet me. It was Kurt Cobain. Nirvana had just made 'Bleach.' Kurt interviewed me on a college radio station. It was very strange. He was a fan of mine, and he gave me his album.
I think Kurt Cobain and Nirvana represent this giant wave that came crashing in and turned music on its head again, and there's definitely something to be said for that.
I think Kurt Sutter's different as a creator for different people. My experience of Kurt Sutter has always been a really professional, lovely one. I like Kurt Sutter very much.
Kurt Cobain, when he did his videos, you look into his eyes and he couldn't even face the camera; he was in pain and I'm angry about Kurt. This guy didn't have to die.
And if I'm honest about it, I was obsessed with Nirvana and Pearl Jam. This is like '92, right in the throes of Soundgarden and Pearl Jam and Nirvana. I think I probably wanted to be Kurt Cobain.
I used to love Kurt Cobain, when he was telling people we're a pop band. People would laugh, they thought of it as good old ironic Kurt. But he wasn't being ironic.
I knew [Kurt Cobain] and his daughter. And Courtney [Love] came and stayed at my house. R.E.M. worked on two records in Seattle and Peter Buck lived next door to Kurt and Courtney. So we all knew each other. I reached out to him with that project as an attempt to prevent what was going to happen.
I simply constructed a project to try to snap Kurt [Cobain] out of a frame of mind. I sent him a plane ticket and a driver, and he tacked the plane ticket to the wall in the bedroom and the driver sat outside the house for 10 hours. Kurt wouldn't come out and wouldn't answer the phone.
In Utero is a testament to the artistic vision of Kurt Cobain. It's kind of a weird record, and it's strangely beautiful at the same time. And if you look at Kurt's paintings and his drawings - he even did a sculpture for me - it's a rising, tortured-spirit person. It's kind of weird. It's done well, but it's like what Dave was saying about having your own sound. Kurt was a great songwriter. He knew he had a good ear for a hook [and was] a great singer, great guitar player, and In Utero is a good representation of what he liked in art and how he expressed himself.
To have a record crowd for What Culture, to be in there with Kurt Angle and not to be just, like, Kurt Angle plus garnish, for it instead to be Kurt Angle v. Cody Rhodes, our second match, actually - it was very vindicating. It's also nice, you know: the greatest revenge in all the world is success, so it's nice to be vindicated.
I think love could have saved Kurt Cobain.
I was a big fan of Kurt Russell growing up and I always wanted to be the modern day Kurt Russell.
Kurt [Cobain ]was a feminist. A lot of the bashing against Courtney [Love] I think has to deal with gender bias and the media, and I think that he liked that she was taking the attention off of him.
I've studied several guitar players and songwriters, mostly from Al di Meola to Dimebag Darrell, from Freddie Mercury of Queen to Kurt Cobain of Nirvana and Bradley Nowell of Sublime.
The perception of him as brooding and dark and miserable, that is baloney. Kurt Cobain was a funny dude.
I just didn't really relate to Kurt Cobain. There was nothing very glamorous about him.
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