A Quote by Dave Grohl

When you're thirteen and listening to punk, the aggressive nature of music can sway you to the dark side. — © Dave Grohl
When you're thirteen and listening to punk, the aggressive nature of music can sway you to the dark side.
Folk-punk artists like This Bike Is A Pipe Bomb or Paul Baribeau were popular in the Florida punk community. I saw people early on combine roots music with more aggressive music.
People find my things sometimes aggressive. But I don't see it as aggressive. I see it as romantic, dealing with a dark side of personality.
I grew up going to punk shows, that kind of thing - I don't wanna make pop punk! - but I like the idea of people going totally crazy and it being really intimate, loud and super-aggressive, but combining that with pop music.
We were at the dark end of the L.A. punk scene, and that scene was full-on and violent and aggressive and wild and intense.
When I was young I wanted to make films and then I got into folk music when I was about 12, and started going to this folk club in Auckland. My dad [Barry Andrews] was in punk and post-punk bands, so I guess it was a side of music I hadn't really listened to before - the really narrative form of songwriting.
As I got older, it turned into hardcore punk. I started getting into more aggressive music.
Unhappiness in a child accumulates because he sees no end to the dark tunnel. The thirteen weeks of a term might just as well be thirteen years.
And what does the rain say at night in a small town, what does the rain have to say? Who walks beneath dripping melancholy branches listening to the rain? Who is there in the rain’s million-needled blurring splash, listening to the grave music of the rain at night, September rain, September rain, so dark and soft? Who is there listening to steady level roaring rain all around, brooding and listening and waiting, in the rain-washed, rain-twinkled dark of night?
I got into rock music at thirteen, listening to Van Halen, learned how to play the electric guitar.
My work is about the underbelly of the beauty of nature - and the dark side of nature is its indifference. Nature isn't friendly, nor is it unfriendly - it's the perfect embodiment of the Other.
Deep Listening is listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, or one's own thoughts as well as musical sounds. Deep Listening represents a heightened state of awareness and connects to all that there is. As a composer I make my music through Deep Listening
Before I even started listening to rap music, I was really into metal and punk.
Johnny Rotten isn't punk. Maybe that's punk to somebody, but these people are participating and challenging the corporations that are telling us what punk is and what good music is.
I've always thought that "punk" wasn't really a genre. My band started in Olympia where K Records was and K Records put out music that didn't sound super loud and aggressive. And yet they were punk because they were creating culture in their own community instead of taking their cue from MTV about what was real music and what was cool. It wasn't about a certain fashion. It was about your ideology, it was about creating a community and doing it on your own and not having to rely on, kinda, "The Man" to brand you and say that you were okay.
I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template.
All the music I listened to in high school that I loved and that moved me wasn't the same music other kids were listening to in school. I got into punk rock and new wave, then dub and hip-hop.
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