A Quote by Dave Hickey

Art and writing come from somewhere down around the lizard brain. It's a much more peculiar activity than we like to think it is. The problems arise when we try to domesticate the practice, to pretend that it's a normal human activity and that "everybody's creative." They're not.
Art itself has become an extraordinary thing - the activity of peculiar people - people who become more and more peculiar as their activity becomes more and more extraordinary.
If within the last century art conceived as an autonomous activity has come to be invested with an unprecedented stature - the nearest thing to a sacramental human activity acknowledged by secular society - it is because one of the tasks art has assumed is making forays into and taking up positions on the frontiers of consciousness (often very dangerous to the artist as a person) and reporting back what's there.
Here's the first major lesson: Writing is not an activity. It's not something you sit down at the keyboard, and just start doing. That's called 'typing.' Typing is an activity ... Writing is a process. And if you start thinking of it as a process, life gets so much easier.
Creativity has nothing to do with any activity in particular - with painting, poetry, dancing, singing. It has nothing to do with anything in particular. Anything can be creative - you bring that quality to the activity. Activity itself is neither creative nor uncreative. You can paint in an uncreative way. You can sing in an uncreative way. You can clean the floor in a creative way. You can cook in a creative way. Creativity is the quality that you bring to the activity you are doing. It is an attitude, an inner approach - how you look at things.
Discipline, strictly speaking, is activity carried on to prepare us indirectly for some activity other than itself. We do not practice the piano to practice the piano well, but to play it well.
All activity in the brain is driven by other activity in the brain, in a vastly complex, interconnected network.
I think that all human activity is stupid. Artistic activity is also stupid, but you can see it more clearly.
Art and poetry cannot do without one another. Yet the two words are far from being synonymous. By Art I mean the creative or producing, work-making activity of the human mind. By Poetry I mean, not the particular art which consists in writing verses, but a process both more general and more primary: that intercommunication between the inner being of things and the inner being of the human Self which is a kind of divination (as was realized in ancient times; the Latin vates was both a poet and a diviner). Poetry, in this sense, is the secret life of each and all of the arts.
From a Buddhist point of view, this is standing the truth on its head by considering goods as more important than people and consumption as more important than creative activity. It means shifting the emphasis from the worker to the product of work, that is, from the human to the sub-human, surrender to the forces of evil.
The animal is one with its life activity. It does not distinguish the activity from itself. It is its activity. But man makes hislife activity itself an object of his will and consciousness. He has a conscious life activity. It is not a determination with which he is completely identified.
As a total activity - I practice curating, art, architecture, writing, and publishing all together. I still act as a living creature.
Architects create spaces that accommodate human activity. As opposed to many of its contemporary counterparts, Dune'is not so much focused on the styling of that activity, as on the supporting of it.
Robust activity on one site is so much better than halfhearted activity on multiple sites.
Malevich, Lissitsky, Kandinsky, Tatlin, Pevsner, Rodchenko... all believed in the social role of art... Their works were like hinged doors, connecting activity with activity. Art with engineering; music with painting; poetry with design; fine art with propaganda; photographs with typography; diagrams with action; the studio with the street.
There's much more activity in England than in Greece. Or at least there's a lot more development, which obviously brings another set of problems.
The whole idea is that the combination of tight activity and slack activity allows me to be both productive and creative at the same time. In the four years that I am actually working in a proper job, I am earning money and I'm also writing with a lot of discipline on the side.
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