A Quote by Dave Lombardo
I like to be one of those drummers who actually add to the music, not one of those guys who sit in a room 24/7 trying to outwit or outplay another drummer.
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I was just trying to make it to a second contract before guys. I was trying to outplay guys on the field and trying to last longer than them in the league. I think all of those things go through your head when you're a late-rounder, and you're always trying to prove people wrong.
I think any time you bring those guys in, one with a lot of playoff experience, with rings - those guys won - guys in the locker room gravitate towards those guys. Those guys have been there, so there's a lot that they can teach the guys.
Real is when you go to training camp. Real is when you finally get the guys in pads. Real is those guys in that locker room setting those goals because we have some guys now that can set goals and expectations for those guys in the locker room because, ultimately, who are the Cleveland Browns but those guys in that locker room.
I'm very influenced by jazz drummers. I always liked drummers like Roger Taylor, Keith Moon, Ian Paice, John Densmore. I just learned from playing to those drummers.
It's much easier to have a diversified career as an electronic musician than it is as a drummer. Nothing against drummers. If you're a drummer, you just wait around for people to ask you to play drums. But if you have your own studio and can make music, you have the ability to approach music a lot differently.
Just to be mentioned in the same sentence with those guys feels good, but I want to take it to another level. I respect those guys because they did it. I'm trying to get where they're at, where people talk about me bringing a championship here.
But it was great, we sit in the same dressing room where, like, Johnny Cash sat and Willie Nelson and all those guys. That was in itself something amazing - I was on the same space these guys stood on, ya know?
Outwit, outlast, outplay. It's the tagline for the television show Survivor and it's damn near what presidenting is like, too.
Something like trying to protect yourself all the time, things like trying to outwit fate. Those things can be the worst thing you can do for yourself.
I'd rather be entertained and go to a show and watch a drummer and have somebody that makes me actually smile. So I don't judge drummers based on their technical ability; I judge them based on the overall package and what they bring to the music they're part of.
It seems like I always had to work harder than other people. Those nights when everybody else is asleep, and you sit in your room trying to play scales.
I like things that don't sound particularly processed or mechanical or made by machines. I like music that contains human elements, with all their flaws. There's air in it, and you can hear a room of a bunch of guys playing. Those are the magic parts.
Some guys are afraid of "fashion" even those this isn't really fashion. It's more "style". A lot of guys don't want to look like they care too much. The idea of standing in a fiting room and trying things on and saying, "How does this look?" I think maybe that experience is a little bit intimidating.
Everyone knows deep in their hearts that the drums are the coolest instrument, and that a band is only as good as its drummer. So I'm all for drum solos. I'm all for drummers hamming it up. I'm all for drummers standing up and kicking over the kit.
I’m familiar with a lot of guys, hang out with those guys. A couple of my teammates actually went to Florida, so I’m familiar with a lot of those guys. It's going to be fun walking out with a victory and rubbing it in their faces.
My drummer right now, who was also the first drummer in Weeping Tile, Jon McCann, told me that [Hip drummer] Johnny Fay took drum lessons from [McCann's] dad, who taught a lot of the drummers in Kingston. He said that when he was in Grade 9, the Hip were the model; the goal was to get an agent and gig as much as possible.
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