A Quote by Dave Matthews

When I was a kid growing up in New York, I was pretty unaware of racism. I think when we're young - before we lose our innocence - we're sort of unaware of the more flawed qualities of each other.
There is a design and a purpose for each of our lives. Living unaware of that is sad, but dying unaware of it is a tragedy.
I don't think that on a daily basis, people need to be so concerned with others think. When someone comes forward and is an individual, such as a Lady Gaga or a Katy Perry, people respond to them because there is that sense of innocence. It's obviously dress up and theatre. I never lost that I think part of that is growing up gay and part is growing up overweight. You never lose that, and I never want to lose touch with that whimsy, that sense of innocence. I also love the reaction it elicits in people. I like that it makes other people happy.
I'm an immigrant kid who came to America from India when I was very young and grew up in New York City with a single mom and really was influenced by all of those immigrant cultures bumping up against each other.
Rosemary bubbled with delight at the trunks. Her naivete responded whole-heartedly to the expensive simplicity of the Divers, unaware of its complexity and its lack of innocence, unaware that it was all a selection of quality rather than quantity from the run of the world's bazaar; and that the simplicity of behavior also, the nursery-like peace and good will, the emphasis on the simpler virtues, was part of a desperate bargain with the gods and had been attained through struggles she could not have guessed at.
In her lived an innocence of soul of which she seemed unaware.
I grew up in New York, in the Village, and I started going to Stella Adler pretty young. I was 13 or 14 years old. But I was also really shy when I was growing up.
I knew that I wanted to live in a city, but had never really been to New York. But I was begging my parents as a kid to move to New York, so it was just something that I sort of knew from a young age.
I suppose every poet has his own private mythology. Maybe he's unaware of it. People tell me that I have evolved a private mythology of tigers, of blades, of labyrinths, and I"m unaware of the fact this is so. My readers are finding it all the time. But I think perhaps that is the duty of poet.
I used to think that growing up in New York made me ready for everything - for everything. Before I really got a chance to travel, I thought that I was better prepared for the world because I was from New York.
Like a pet fish unaware of the fishbowl it lives in, each of us inherently discriminates against young people without knowing it.
Our own existence once presented the greatest of all mysteries, but ... it is a mystery no longer because it is solved. Darwin and Wallace solved it ... I was surprised that so many people seemed not only unaware of the elegant and beautiful solution to this deepest of problems but, incredibly, in many cases actually unaware that there was a problem in the first place!
I think growing up in New York, you see so much at such a young age, there's no bubble to escape into.
But while so many white Americans are unaware of conditions inside the ghetto, there are very few ghetto dwellers who are unaware of the life outside. The television sets bombard them day by day with the opulence of the larger society.
Let's help each other. New York, because New York is first. And then after New York, and after the curve breaks in New York, let's all rush to whoever's second. And then let's all rush to whoever's third. And let's learn from each other and help each other.
To perceive that form reveals the void, and to see that the void reveals form, is the secret for the overcoming of death. To the extent that one is unaware of space, one is unaware of one's own eternity — it's the same thing!
One of the most difficult tests for the creator: he must always remain unconscious, unaware of his best virtues, if he doesn't want to rob them of their candor and innocence.
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