A Quote by Dave Matthews

I want to figure out a way to not be stupid with money, then make a whole bunch of it, then I want to move to Outer Mongolia. I want to milk a yak. Maybe I'll just settle for a cow.
I want to figure out a way to not be stupid with money, then make a whole bunch of it, then I want to move to Outer Mongolia. I want to milk a yak. Maybe I'll just settle for a cow. Can you milk a bison?
If you want to make pictures and enjoy making them, you better go out and make something that a lot of people want to see. And then they'll turn you lose and let you make what you want. And then maybe you can do some of the things that you want to do. But as a beginner, you haven't got a chance.
It's not that I don't want to, it's just that there's no money in it. By that I mean the way the video business works now, the artist and the record label send out a song to a bunch of different directors and say, 'What would you do with this?' Then everyone has to come up with an idea and bid on it. For me, it's like, 'Hey, you want me to do it? Then pay me. I'm not auditioning for you.'
They say no land remains to be discovered, no continent is left unexplored. But the whole world is out there, waiting, just waiting for me. I want to do things-- I want to walk the rain-soaked streets of London, and drink mint tea in Casablanca. I want to wander the wastelands of the Gobi desert and see a yak. I think my life's ambition is to see a yak. I want to bargain for trinkets in an Arab market in some distant, dusty land. There's so much. But, most of all, I want to do things that will mean something.
The thing I absolutely hate is when directors don't know what they want, and then they ask you to do it this way, and then maybe that way, and maybe that way, because they haven't made up their minds what they want. So you're running around in circles trying to give them what they want.
... I just want to remind the owners and the players: you guys make money because you have a whole bunch of fans out there who are working really hard. They buy tickets. They're watching on TV. Ya'll should be able to figure this out. Get this done.
If it was true that I just cared about the money, then my whole attitude would be different. I want to win every game, and I want to go out a winner.
The leftists are constantly whining and moaning about all the money in politics. They want campaign finance reform, right? They want to get all the money out of politics. They want government money governing campaigns. They want all the money out, they say. But then you look at their coffers, and it's overflowing with hundreds of millions of dollars.
I have a scenario but almost always it's entwined with at least one person to begin with. Then I sort of expand from there and I'm thinking about books novels. I've got these scrolls of paper that I hang up in my office and this is my idea room, my nightmare factory, and I have a big title at the top of the scroll and on the left hand side I have these character sketches on the characters, and then once I figure out who they are I can figure out what they want and once I figure out what they want I'm able to put obstacles in the way of that desire, and that's where plot springs from.
If you want a cow to be not just a cow but a milk machine, you can do a very good job at that by creating new hormones like the Bovine Growth Hormone. It might make the cow very ill, it might turn it into a drug addict, and it might even create consumer scares about the health and safety aspects of the milk. But we've gotten so used to manipulating objects and organisms and ecosystems for a single objective that we ignore the costs involved. I call this the "monoculture of the mind."
Figure out what you want, how you want to feel, whatever your motivation is, you have to figure it out. That's step one: where do you want to be? The next thing is just trying to get there and cutting yourself some slack along the way. You're going to have days when you veer off your path, then just get right back on. We all have cheat days, holidays, or celebrations, whatever or period when we can't work out as much as we like, and just do the best you can and when you can get back on track, get back on track.
There are two things I wear. One is a Curvation undergarment over my whole body, and then maybe I'll also put on some Spanx. They're so great. They have a way of smoothing everything out, and then you can just put on whatever you want. It accents you and makes you feel pretty.
The worst part is that I saw the whole thing -- our whole life. And I want it bad, Jake, I want it all. I want to stay right here and never move. I want to love you and make you happy. And I can't, and it's killing me.
Women are pretty good. Women usually fight about some stupid guy and then when they figure out it's just a stupid guy they make up and move on.
Wherever we are seeing something getting used, that to us is an early indicator that there might be something that people want. And then let's figure out how to make that great. And then let's go figure out monetization.
My first policy move would be to try to get a conversation going in the US about what people stand for and what we really want. Do we want to keep adding people to the world and to our country until we move to a battery-chicken kind of existence and then collapse? Or do we want to think hard about what really is valuable to us, and figure out how many people we can supply that to sustainably?
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