A Quote by Dave Morris
'Breaking Bad' and 'The Shield' were planned right from the start so that their narrative trajectory would come down in a blaze of fireworks.
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I kept telling people, 'I really want to do something like 'Breaking Bad,'' and then people would remind me, 'Krysten, you were on 'Breaking Bad!''
Going from The Shield to singles competition, it wasn't a really big transition for me. Before we were The Shield, we were all singles wrestlers. And we were wrestling a bunch of guys all the time down in developmental.
There would be a blaze and a confusion, in which timid men would doubt whether the constitution would be burned to tinder or only illuminated; but that blaze and that confusion would be dear to Mr. Daubney if he could stand as the centre figure, the great pyrotechnist who did it all, red from head to foot with the glare of the squibs with which his own hands were filling all the spaces.
'Breaking Bad.' Because it's the best American narrative fiction of the last ten years.
You have to have a plan. Everything has to be planned. For me, I start with the title of my album, before I even start with the songs. I write down different things that I want album to say, and then the songs come from the different words.
Since my first dive in a deep-diving submersible, when I went down and turned out the lights and saw the fireworks displays, I've been a bioluminescence junky. But I would come back from those dives and try to share the experience with words, and they were totally inadequate to the task. I needed some way to share the experience directly.
The great thing with comedy is that I don't memorize ahead of time like I did on 'Breaking Bad.' With 'Breaking Bad,' I wanted to know those words inside and out, really have my lines down so I could say them verbatim. But with comedy, you keep it a lot more loose.
As a cultural form, database represents the world as a list of items and it refuses to order this list. In contrast, a narrative creates a cause-and-effect trajectory of seemingly unordered items (events). Therefore, database and narrative are natural enemies. Competing for the same territory of human culture, each claims an exclusive right to make meaning out of the world.
Parents, of course, have concerns and 'say,' but they don't have the right to shield their children from knowledge. That is not a right, any more than they have the right to shield their children from healthcare or medicine.
I would love to be nominated for an award at some point or do something that at least engenders the type of cultural conversation that a role like Giancarlo Esposito on 'Breaking Bad,' or actually any of the people on 'Breaking Bad.' I would love to have a role in a feature film that was a cultural talking point.
Planned Parenthood has a right to operate. Planned Parenthood has a right to provide family planning services. Planned parenthood has a right to perform abortions.
A lot of people head into courtship looking for fireworks. Don't pass up a chance by dumping someone after a first date because you don't feel the fireworks. The fireworks can happen at any time and be maintained.
We kissed all the way through the fireworks display. We didn’t even notice that there was a fireworks display… …I guess because we’d been making fireworks of our own.
It's just immensely frustrating that things like Breaking Bad get made that are kind of perfect! There's not even a bad episode of Breaking Bad, let alone a bad season. I want to be able to say, "Hey everybody, it's impossible to make a show where every episode is great!" No it's not.
Would I have watched another season of 'Breaking Bad'? Of course. Would I have watched another two seasons of 'Breaking Bad'? Of course. The fact that I would easily have watched much, much more than I got made the ending so much more poignant and stronger and better for me.
I get random meetings, like, 'Ron Howard would like to sit down with you.' 'Really?' If 'Breaking Bad' hadn't happened, Ron Howard probably wouldn't want to sit down with me. Because he would have no idea who I was.
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