I play a bunch of instruments, like piano, drums, guitar and bass. And the kazoo every now and then. I'm trying to learn how to play the trumpet and the saxophone. That's what I'm learning how to play.
I play guitar, bass, drums, piano, and pretty much any sort of stringed instrument - besides violin or cello.
In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn't bear that. They are not used to listening to the bass because they think the bass is in the background to support them.
One interesting thing - I play bass and guitar and stuff like that. I know those instruments really well. But I don't know how to play clarinet or trombone or any of these other instruments. I don't actually know how to play ukulele even though I've played it a lot in the past. Because of the weird tuning it's not exactly like a guitar. That's one of the reasons I like that instrument - it makes for surprises. It's not so predictable as the bass or the guitar is for me.
I picked up the bass kind of postpunk-style. There's a real art to not learning how to play an instrument and being able to still play it.
The hardest instruments for women to play are bass and drums. Drums because of the physicality needed and bass just because its heavy and it's not an easy instrument to play.
I bought my first bass because I wanted to be in a Band, and heard that it was the easiest instrument to play. A friend told me that it was the sexiest instrument.
So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.
I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'
That was the reasoning behind learning to play bass, and then after that it was more like it was neat to play songs together - for me to play bass and for him to play guitar.
That was the reasoning behind learning to play bass, and then after that it was more like it was neat to play songs together - for me to play bass and for him to play guitar
At the time, I didn't know that bass would not be enough for me. I'm not a bass player because bass is always a background instrument even to this very day.
That's really important in a producer - a producer that can step up and play a keyboard, play a bass, play a guitar, and help you with things instead of just saying, 'I think this could be better.'
If you're going to play bass, then play bass how you play bass. You can learn technique and theory, but we want to hear what you have to offer.
It's really hard for me to sing and play bass. Unless you're singing something that's kind of in rhythm with the bass, the melodies, it's just difficult.
I can't really sing and play live, because I can't play bass efficiently and sing at the same time. If I concentrated on the vocals, I'd mess up the bass, and if I concentrated on the bass, I'd forget the lines.