A Quote by Dave Myers

I think sometimes producers forget that people like interesting things. It doesn't always have to be 'Big Brother' or toil and torment. — © Dave Myers
I think sometimes producers forget that people like interesting things. It doesn't always have to be 'Big Brother' or toil and torment.
Your mind has a way of not letting you forget things you wish you could. Especially with people. Like, you'll always try your best to forget things that people say to you or about you, but you always remember. And you'll try to forget things you've seen that no one should see, but you just can't do it. And when you try to forget someone's face, you can't get it out of your head.
It's always this thing about being the big brother and the little brother coming to try to overtake the big brother. That always happens in families and in clubs - the young player hoping to take the old player's position - and City are hoping to overtake United. I don't think they'll ever be able to, though.
The worst is when you read things on the Internet blogs, because people don't hold back. Sometimes you read wonderful things, but sometimes it's really awful stuff. Like on the Fashion Spot, for example, people always comment on you. They forget that we might read that stuff.
People always stay the age that they died at. My big brother died of leukemia when I was six. He was eight. Now when I think of him, he's always eight, and he's still my big brother. He never changes, and the part of me that remembers him never changes.
I think it's more interesting to see people who don't feel appropriately. I relate to that, because sometimes I don't feel anything at all for things I'm supposed to, and other times I feel too much. It's not always like it is in the movies.
It's when people come at you on Twitter and say really crazy things. That's the kind of stuff that I insulate myself from. All of that is not very interesting or helpful, but we have critics who sometimes really love us or sometimes don't, and it's really interesting for me to see what they don't like about it.
Electronic music was just discovery about sound, all our sound options. The core percussions and melodies, they forget about it, they didn't think about those those for a good four, five years, because they were just discovering the new tools and what they could do with them, you know? The big folk revival, I think is a backlash against that. And now, I think they'll probably try to find somewhere in the middle. It's interesting. It's like push-and-pull. It's always like that, you know? Music history is always like that, this repeating evolution of music.
I was always taught to do something to have an identity of your own. Forget your mom, dad, brother, sister, regardless of how big they are, you should do things by yourself, even if it means selling clothes or pens on the road.
It's just hard to look at yourself and guess how you're going to be perceived by other people sometimes. I do my best to let people know that I'm approachable, but I'm a human being just like anybody else. Sometimes people forget that. They forget that you're a person and they treat you like this celebrity thing. But I have to be patient with that, and I try to be.
It's always interesting when people are sort of broken. I think it's one of the most interesting qualities that human beings have is that broken people can fix themselves sometimes.
Banality is like boredom: bored people are boring people, people who think that things are banal are themselves banal. Interesting people can find something interesting in all things.
I think, like all big things, you don't know they're going to be a big thing when you start. You just kind of, like, play because it's fun, and it's interesting, and then it turns out to be way more important than you expected.
I, like anybody whoever met Eric Wright, was mesmerized & inspired. Eric was more like a big brother to me, to all of us. I always think to myself, if there was no Ruthless, West Coast hip hop would not have been as big.
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
The new Bond film, will be a big, big hit, because every Bond film is an event. Fathers take their sons to it; probably grandfathers. It's been a long time, and I think that the success of Bond is because the audiences have never been cheated by the producers. They always spend every penny, put it on the screen, and then the things that people expect to see in a Bond film - big action scenes, glamorous ladies - it's pure escapism.
I have such a big family, sometimes, I was wondering, when is it going to be my turn? There's always a brother who's older, younger, bigger, stronger, faster, I was like, 'hey, give me a chance guys.'
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