A Quote by Dave Navarro
My skin is my canvas. The artwork on it represents something that is very powerful and meaningful in my life. I look at my skin as something of a living diary because all my tattoos represent a time in my life. And I never wish to shut the door on the past, so I carry it all with me.
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The fabric of my life is under my skin; [but] it's definitely not something that comes up in a conscious way when I read material. I have an incredible relationship with my mom, so I'm fascinated by mothers who do not have that. But I've never done anything that resembled my life. People always jump to that conclusion, and I wish life were that simple, but it's not.
I never wanted to grow a thicker skin; I felt a real sense of pride in my thin skin, and in a weird way, I still do, because it's my thin skin that allows me to empathize with other people. It's the thing that allows me to create vulnerable art. It's the thing that allows me to create other feelings and make songs that actually grab people and touch people. I feel like I've spent my life fighting that thicker skin because I don't want to become an embittered asshole.
For me, it's really important to take care of my skin. Especially because when I see someone, and they're just so fresh and beautiful, you always notice their skin first. So having a really good skin-care regimen is a must. I just wish I would have started taking care of my skin earlier!
One good thing that comes from living the nomadic life demanded by an expedition is that one sheds the fake skin donned from living too closely among society. For those of us who live for the freedom of such a lifestyle, that skin is dry and itchy and ill fitting. From my observances, that skin is much like a callus caused by the pure irritation of being forced to spend so much time with one's fellow man. Thank God I am spared such nonsense.
I definitely think the fact that I come from a multicultural background, my mother living life in a white skin and having white skin privilege from the time I was little, I was aware of that.
Silk and Shadows is something else. Like brilliant. It got under my skin as very, very few books have. It's still under my skin. Mikhal was haunting.
I have always been fascinated by the life cycle, the way skin metamorphoses over time. I am mesmerized by skin and that's why I've been attracted to the nude. I do think people show their soul when they are stripped down psychically. There is something wondrous that happens when we relate on that level - and I am interested in that depth.
I'm picky about skin care because I hate perfumes or anything that says 'It will take away all the lines on your face.' I don't want to do that. But I do use Kiehl's and this skin cream called Restorsea because it makes my skin look nice and feel soft.
The skin is our body's envelope, the wrapping that delivers us to the world. If we understand how the skin functions in mid-life and adjust goals and life-styles appropriately, we'll be surprised how much better we can look.
I think that there should be this thing for cover-ups on tattoos. I want to develop it. It's like a skin-toned transfer, and then all the make-up artist has to do is airbrush over it to blend it into the skin. There's nothing like that. At the moment, you literally have to go red and get it to skin color, which takes forever.
My face and skin trick is to moisturise well in the winter time, because the weather eats up your skin, and I never go to sleep with make up on. Someone told me it ages you ten years.
In the end, it is impossible to have a great life unless it is a meaningful life. And it is very difficult to have a meaningful life without meaningful work. Perhaps, then you might gain that great tranquility that comes from knowing that you've had a hand in creating something of intrinsic excellence that makes a contribution. Indeed, you might even gain that deepest of all satisfactions: knowing that your short time on this earth has been well spent, and that it mattered.
I'm a firm believer that when children have a strong conviction about something, it's often because there's some powerful experience from a past life. Something that they didn't get to fulfill.
Initially I objected to the Data makeup. I said, "Why do I need this makeup? Why can't I just look like me?" In fact, I said to Gene Roddenberry, "Don't you think that by this time in history, they would've figured out how to make skin look like skin?" And he said, "What makes you think that what you have isn't better than skin?" And I went, "Um, okay."
... people misunderstood death, they died not of too little life but of too much life, that as the skin withered and the future grew short it was the past that took on flesh, until ultimately the sheer accumulation of experience and memory became too heavy to carry.
The colour of my skin determines what opportunities I have; the colour of my skin says there's only room for one or two of us to be accepted in a certain job; the colour of my skin has dictated everything I've done in my whole life.
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