A Quote by Dave Navarro
And I've also come to the conclusion that, as far as guitar solos and things like that are concerned, it's more important to complement the music rather than take away from it.
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I didn't want to take the guitar solos down note-for-note, but more or less use them as a map, and keep all the hooks from the guitar playing, and let myself come through.
Every girl is a singer. I wanted to learn the solos and play lead guitar. I would meticulously teach myself solos so when dudes were like, 'Oh, you're a girl, you can't play guitar,' I could rip these insane Telecaster blues solos and tell them, 'Yeah, I can burn up a fret board.'
The music I'm playing now is the music I always imagined myself playing when I was a kid. It's been nice to use my instrument a bit more - play the guitar in a more fun way with riffs and stuff like that - rather than just propping up a whole song with a guitar and my vocals. There's so much more energy in the crowd as well; they've been bouncing around and having fun, and it's nice to feel like you're a part of something in a room rather than just performing for a crowd.
It's quite similar to guitar solos, only with programming you have to use your brain. The most important thing is that it should have some emotional effect on me, rather than just, 'Oh, that's really clever.'
Guitar solos, to me, should be a really articulate way to make fun of guitar solos.
E-mail is far more convenient than the telephone, as far as I'm concerned. I would throw my phone away if I could get away with it.
There are a lot of cases where I'm using, if not an acoustic guitar, an electric guitar more as a rhythm instrument. Rather than blasting away, I use it to create more of an acoustic feel.
Listening to as many guitar solos as possible is the best method for someone in the early stages. But saxophone solos can be helpful. They're interesting because they are all single notes, and therefore can be repeated on the guitar. If you can copy a sax solo you're playing very well, because the average saxophonist can play much better than the average guitarist.
Take away material prosperity; take away emotional highs; take away miracles and healing; take away fellowship with other believers; take away church; take away all opportunity for service; take away assurance of salvation; take away the peace and joy of the Holy Spirit... Yes! Take it all, all, far, far away. And what is left? Tragically, for many believers there would be nothing left. For does our faith really go that deep? Or do we, in the final analysis, have a cross-less Christianity?
he'd once believed that the answer lay somehow in the music he created, he suspected now that He'd been mistaken. The more he thought about it, the more he'd come to realize that for him, music had always been a movement away from reality rather than a means of living in it more deeply. .. he now knew that burying himself in music had less to do with God than a selfish desire to escape.
If I'm not like my characters, I think just it's like a musician liking to play certain pieces of music rather than others. I just have more satisfaction when playing complicated things rather than some of your more straightforward, simple moments. . . . I like to be challenged.
I have come to the conclusion that whether or not a person is a religious believer does not matter. Far more important is that they be a good human being.
My family was always playing music; I always enjoyed it. My cousin, who is a little older than me, he started playing music, so I wanted to, also. I asked my dad for a guitar, and he got me a banjo, so that was my introduction to playing. I played it like a guitar. I had a few lessons, learned out a few chords, and figured it out right away.
I always say people would rather be nice than right. I like to be nice too, but come on. People frequently ask me, what is my definition of politically correct. My answer is always the same: the elevation of sensitivity over truth. People would rather be nice than right, rather be sensitive than true. Well, being nice and sensitive are important, but they're not more important than being right; they're not more important than the truth.
An organization belongs on a sick list when promotion becomes more important to its people than accomplishment of their job they are in. It is sick when it is more concerned with avoiding mistakes than with taking risks, with counteracting the weaknesses of its members than with building on their strength. But it is sick also when "good human relations" become more important than performance and achievement.
As far as I was concerned the important thing was that the music was getting the attention as well as me so it was always a great way to get more of the public to connect with classical music, and opera particularly.
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