A Quote by Dave Navarro
I've always recorded the same way. I put down as many ideas as I have, then strip them away at the mixdown. It's better to have too much music than not enough.
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I've never really found it that important to focus too much on the fact that I'm a female. I feel like if you make a thing of it then it becomes a "thing." For me personally, gender has always been one of the last things on my mind and I would much rather let the music do the talking. It was definitely surprising at the start to see how many people often got shocked that I would do the entire part of the composition/production/mixdown process on my own, but I don't think women are pigeonholed as much these days.
By the mid-'60s, recorded music was much more like painting than it was like traditional music. When you went into the studio, you could put a sound down, then you could squeeze it around, spread it all around the canvas.
If we could put material things into their proper place, and use them without being attached to them, how much freer we would be. Then we wouldn't burden ourselves with things we don't need. If we could only realize that we are all cells in the same body of humanity - then we would think of having enough for all, not too much for some and too little for others.
It is better to have enough ideas for some of them to be wrong, than to be always right by having no ideas at all.
If anything, my problem is, I'm not a genius, it's just that I can write songs very quick. I have a lot of ideas, let's put it that way - I have too many ideas. And my problem is, I stockpile ideas and I get lazy and I don't finish them, and next thing I know, I'm looking around and I've got a hundred song ideas, but are any of them any good? I don't know.
I can't listen to so much music at the same time. I think you really have to have a diet. You're just processing too much, there's no place to put it. If you go a long time without hearing music, then you hear music that nobody else hears.
I always spend too much time on getting the details right. That's the problem with computers. They make it possible to change too much of the music after it's been recorded.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true - they're designed in laboratories, and later, we tried to put them on stage.
Imperfection is beauty, madness is genius and it's better to be absolutely ridiculous than absolutely boring. When it comes down to it, I let them think what they want. If they care enough to bother with what I do, then I'm already better than them anyways.
One of the glories of doing the book So You Want to Be President? was the shifts in tone, where I was able to be humorous and then very serious. And the impeachment page is certainly the best example of that. I didn't have to think too much about how to present this one. I got the idea right away that a good way of showing the shame of President Nixon would be to put him down in the shadows under the Lincoln Monument, with Lincoln sort of glaring down at him from an elevated, better-lit position.
In a way, all recorded music is reduced to the same level, no matter what it is. You find it in the store, you put it on and, "Oh, that's not cool. That's gangsta rap. That's white supremacist punk." But in a way, the content is removed from the intention of the people that made it. That's the commercial level of music.
You must buy on the way down. There is far more volume on the way down than on the way back up, and far less competition among buyers. It is almost always better to be too early than too late, but you must be prepared for price markdowns on what you buy.
Better to fail at what you love than succeed at what you hate. People have strange ideas about success ... too much to do with money, not enough to do with joy.
'Writing' is the wrong way to describe what happens to words in a movie. First, you put down words. Then you rehearse them with actors. Then you shoot the words. Then you edit them. You cut a lot of them, you fudge them, you make up new ones in voice-over. Then you cut it and throw it all away.
I love synthesizers and I love electronic music and I love the avant garde and I always want to try and have some kind of element of that in the music. So once the music is put down and recorded, that's when I start to tinker with it using synths.
The way I work, and the material we work with, I think if you analyze too much and have too many specific ideas, it just becomes a little bit too superficial, and then performances might become too self-conscious and project relatively narrow things.
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