A Quote by Dave Portnoy

It's like, if you sign a guy you know is a punk and a jerk, you can't complain like, 'Hey, the punk jerk is acting like a punk jerk!' — © Dave Portnoy
It's like, if you sign a guy you know is a punk and a jerk, you can't complain like, 'Hey, the punk jerk is acting like a punk jerk!'
It's been kind of hard, I'm labeled as a jerk right now, you know what I mean? But I love it. I've been a jerk all my life. My momma loves this jerk. My kids love this jerk. I'm going to be a jerk in a good way, though. I'm going to be a jerk to the other teams and just go out there and play basketball. I can do that.
DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
I'm just starting to scratch the surface of what really makes me happy and it's taken me a while to admit that acting like a little child and being a jerk and a punk is fun.
In real life, I know to filter all my jerk opinions and my jerk thoughts and my jerk desires.
I listened a little to punk when I was younger, but it was straight edge punk. It was nothing like what is going on now, like poppy punk.
My father used to say that if a man fools you once, he's a jerk. If he fools you twice, you're a jerk. Only he didn't use the word "jerk."
I am very grateful to punk because I was a girl, and I felt like if I got in a band, I'd be kind of a novelty act, but punk was all about non-discrimination. No one cared because it was punk, so, you know, anyone could do anything they wanted.
I always felt like Azula and Long Feng were much more interesting villains and three-dimensional characters than Ozai, who was just sort of a big jerk. Like a really big jerk, but not very complex or human.
I remember being really young - being 13 or 14 - when I first was really excited about punk rock as an idea, and I was like, 'Don't ever not be punk. Don't ever not be punk.' Telling that to myself, I guess it was like self-defense against the scary world around me.
Kiefer Sutherland is a crazy jerk on '24,' but you love him because he gets the job done. And I think that that goes for a lot of action stars, I mean Steven Segal is a jerk, but you want to watch him because, eventually, he's a jerk who can beat up bad people.
There's a saying that when you go on traveling tours, you get to know whom the designated jerk is going to be within three days, and if you don't know it by then, you're the jerk.
I moved to Naples, Florida, and by 15 I was into punk: Green Day, Rancid, NOFX, Operation Ivy. Along with the classic punk bands, like the Sex Pistols, the Clash, the Misfits, Dead Kennedys, Minor Threat - all those bands that you get into when you're first getting into punk.
I was a punk when I was 15 - I was definitely into it in a big way and loved it - but I came to London when punk was maybe where you'd say punk is dead.
On the first album, we were trying to do a pop-punk album with a classical influence. We'd say 'pop-punk,' and people would say, 'No, you're like burlesque-cabaret-punk,' or, 'It's baroque-pop,' and we were like, 'That sounds way cooler.'
Johnny Rotten isn't punk. Maybe that's punk to somebody, but these people are participating and challenging the corporations that are telling us what punk is and what good music is.
I only work with the real Punk, like the CM Punk or the Chance the Rapper.
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