A Quote by Dave Sim

Leftists always want to... circle around subjects... rather than addressing any subject directly. — © Dave Sim
Leftists always want to... circle around subjects... rather than addressing any subject directly.
The use of violence in movies is a subject that's worth addressing. I'm not standing on a soapbox or wagging a finger, but I'm interested in those subjects for sure.
The settlers, as we know, are the only people in Israel who take the Left seriously. When you read the settlers' publications, you think that the leftists are everywhere: The leftists infiltrate the government, the leftists run the Defense Ministry, the leftists dominate the legal establishment, and the leftists control the media, of course.
I am a passionate advocate for developing the future workforce, addressing complex social problems, and shaping a regulatory framework. These three subjects all revolve around greater innovation and growth.
Even a fellow with a camera has his favourite subjects, as we can see looking through the Kodak-albums of our friends. One amateur prefers the family group, another bathing scenes, another cows upon an alp, or kittens held upside down in the arms of a black-faced child. The tendency to choose one subject rather than another indicates the photographer's temperament. Nevertheless, his passion is for photography rather than for selection, a kitten will serve when no cows are available.
Confronted with the loving-sharing Consensus of subject-SUBJECT relationships all Authoritarianism must vanish. The Fairy Family Circle, co-joined in the shared vision of non-possessive love - which is the granting to any other and all others that total space wherein each may grow and soar to his own freely-selected, full potential - reaching out to one another subject-to-SUBJECT, becomes for the first time in history the true working model of a Sharing Consensus!
I don't think that my art isn't serious. I think the subjects are not serious, or my treatments of the subjects are not serious. But then, I'm also putting down subject, because like the abstract expressionists, I don't think the subject is important.
Surely there is something to be said for drawing a circle around our attention and remaining within that circle. But how large should this circle be?
It is always good to know which ideas cannot be checked directly, but it is not necessary to remove them all. It is not true that we can pursue science completely by using only those concepts which are directly subject to experiment.
I never work with a screen. Other photographers have this black thing around, and they go back and look at it. I'd rather spend the time with the subject, photographing or discussing or talking, than staring at this thing. I'd rather look at what's going on.
So long as there is any subject which men may not freely discuss, they are timid upon all subjects.
Take rather than give the tone to the company you are in. If you have parts you will show them more or less upon every subject; and if you have not, you had better talk sillily upon a subject of other people's than of your own choosing.
People who are new to photography always pull their subjects directly into the sun, which is the most unflattering light in the world.
I think there was an overemphasis in the early stage on militarization rather than directly providing relief. I don't think it has any long-term significance.
In my circle of friends, I've always been loud and funny and talkative. But as soon as I step out of that circle, I get very quiet and introspective. I don't want the spotlight on me.
The internet has spawned people for whom knowingness is more important than knowledge. It equips you with the illusion of offering knowledge instantly - and quite easily - so you can read a few articles on a few subjects and feel well informed but not actually know any of those subjects in any depth.
I search for the realness, the real feeling of a subject, all the texture around it... I always want to see the third dimension of something... I want to come alive with the object.
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