This is how I understand literature - as a kind of remix or echo chamber. What's going on in a literary work are other literary things disinterred, cannibalized, and recombined.
Any attempt to define literary theory in terms of a distinctive method is doomed to failure.
Every genuinely literary style, from the high authorial voice to Foster Wallace and his footnotes-within-footnotes, requires the reader to see the world from somewhere in particular, or from many places. So every novelist's literary style is nothing less than an ethical strategy - it's always an attempt to get the reader to care about people who are not the same as he or she is.
Never literary attempt was more unfortunate than my Treatise of Human Nature. It fell dead-born from the press.
I’m not club-able, you see. I don’t like literary parties and literary gatherings and literary identities. I’d hate to join anything, however loosely.
We postpone our literary work until we have more ripeness and skill to write, and we one day discover that our literary talent wasa youthful effervescence which we have now lost.
My advice for finding a literary agent would be first, put your work out there as much as possible and hopefully someone will find you, because I still have literary agents writing to me after they find my site. You want someone who understands your work and is going to be your cheerleader from day one.
My dancing is not an attempt to interpret life in the literary sense. It is an affirmation of life through movement.
The attempt to live that way, the attempt to treat everybody - it fails all the time - but the attempt to treat people as equals is a good attempt. It's a very good attempt. And there have been very few governments that have come anywhere near it in the past. The Greeks began to, the Romans began to - they both failed.
Certainly professionally, yes [I was interested more in history]. And literary criticism, the structure of poetry. But it is primarily as a historian that I work, although text criticism and literary criticism are very much a part of my interests.
I will not allow people to impose rules on me that don't make sense to me. And I live and work very much outside the literary world and the literary system. What they think and what they believe and what their rules are mean nothing to me.
Of course Nebraska is a storehouse of literary material. Everywhere is a storehouse of literary material. If a true artist were born in a pigpen and raised in a sty, he would still find plenty of inspiration for his work. The only need is the eye to see.
They suffered from the terrible delusion that something could be done. They seemed prepared to make the world the way they wanted it or die in the attempt, and the trouble with dying in the attempt was that you died in the attempt.
I suggest in my own discussion of this episode, Mann invites us to set the attempt to philosophize about his predicament in the context of Aschenbach's life. The literary presentation thus adds to the naked philosophical skeleton.
Leisure is non-work for the sake of work. Leisure is the time spent recovering from work and in the frenzied but hopeless attempt to forget about work.
Literary lineage is part of your autobiography. The authors are the literary base, the image base, the character base that you bring into your civilian work. Same with film, architecture, music, sports. That's one tributary of the autobiography.