A Quote by Dave Sitek
I think I tried on the hardcore scene's outfits maybe once, and then I just figured I'd stick to Hawaiian shirts.
Related Quotes
What is hardcore? Hardcore is not just being hardcore, hardcore is going in the ring and giving 100% of yourself. Hardcore is great fans.
I like a lot of hardcore, but it's just a genre about which I don't have much to say. It's kind of a thing where, unless you're active in the hardcore community, what could you have to say of value about it? It resists criticism because it's not just a style but an entrance into several different worlds of ideas- political, philosophical, societal. The music is really only part of the whole scene. In that sense, the music doesn't change much because it shouldn't: It needs to be there as a signal that you're entering into a certain discursive mode, maybe.
Straight edge came out of the hardcore scene. I don't necessarily believe, as some people believe, that you have to be a part of the hardcore scene to share that philosophy and stance against recreational drug use. But it is where it came from, and it is where it influenced me to be a part of it.
I'm pretty hardcore. I stick exactly to what I'm doing. So I write a novel in one period, and then I'll write stories in another period. I only work on one thing at once, because I'm afraid that I wouldn't finish what I'd started.
I feel like Hawaiian shirts have definitely made a comeback.
Here in Ohio, the hardcore scene is a big thing, so some of our good friends are in hardcore bands. So we've had to figure out how the heck we get these people to respect us.
In fact, when I began selling 'Phenomenal Woman' T-shirts on International Women's Day last year, the campaign was supposed to run just through March, for Women's History Month. At the time, I hoped to sell around 500, maybe 1,000 T-shirts in total. We ended up selling 2,500 T-shirts on the first day alone.
Eventually, if you're the train that's leaving the station, people will race to catch up with you. I think that's one of the things I've figured out. You can't wait for permission to act, you just do; then people are like, "Oh, look at that person just doing over there. Maybe I'll come join them."
I know my own truth. I'm in a great relationship with a woman. Maybe before it used to bother me. Then I was like, ‘This is so stupid that this bothers me. Some of my best friends in the world are gay, and if this is bothering me, then that means I have an issue with that.’ Once I figured that out for myself, I thought, ‘I don't care what anyone thinks about me.’ That's why I think I've become an ally for the gay and lesbian community. I just got [an Ally for Equality Award] the other day in Atlanta. I've very proud of my role in the community. So say what you will.
I tried retiring a couple of times and it just didn't really stick so, but at some point enough things conspire together and it does stick.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
My proposal that Fed governors should signal their commitment to public service by wearing Hawaiian shirts and Bermuda shorts has so far gone unheeded.
My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.
Even within the context of the alternative scene I was a part of, within punk and hardcore and the alt scene, there was a focus on self-destruction.
In Jamaica, them always have throwback riddims, recycled old beats, and the hardcore reggae scene is always present. You have faster stuff like the more commercialized stuff, but you always have that segment of music that is always from the core, from the original root of it. This year, you have seen a lot of it explode on the international scene. It's great. People are looking for something different. Maybe there was too much of one thing, and now they're looking for something fresh.
I know exactly what I want to buy and I spend very little time, maybe 15 hours a year, buying stuff. I'll go in and out of Dunhill in 45 minutes and pick out a few suits. Boom. And I'm gone. I get my shirts at Charvet. I go in there - woosh - and buy 12 shirts and some ties; once a year and that's it.
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