A Quote by Dave Winer
Art and money are closely related. Try sitting down with a group of artists and ask them what's on their mind. Very quickly the topic shifts to money. And it can be very hard to get them off that subject.
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It's not easy to be my sons because we're very high profile. We try so hard to give them a normal life. I'm very, very tight with them about money. I don't give that money until they ask, 'I need 100 yuan for my lunch card,' and so on. So they never have extra money.
One of my struggles is that I'm a glutton. There's always those very simple, long, old-ass things, but they're very real to me, and I'm sitting in them, and they're swirling in my mind all the time. I tell people about it and they think, "Why don't you just go and make some money, go get a big-screen TV, or look at the Internet." Or they say, "Go create some introspective art." I just want to explode. I don't know how everybody else is able to walk around so calm. It's amazing to me when I see people walking so calmly down the street. I envy them, but I also kind of hate them.
I have to go around and ask people for money, of course, quite a lot. And it's quite an art to ask people for money. But I think that I have to ask them for money for the things that I'm interested in, and of course, money breeds money.
In Denmark we're so privileged. You get money to study, you get money if you're sick and you get money if your hand hurts. It's hard to be critical of people who are sick getting money, but in Denmark everyone gets money thrown at them and it makes them lazy.
The ability to make a decision is another characteristic of a winner in money matters. I have found over and over again that those who succeed in making large sums of money reach decisions very promptly and change them, if at all, very slowly. I have also found that people who fail to make money reach decisions very slowly, if at all, and change them frequently and quickly.
I'm a very fast shopper. I'm very quick; whether it's big money or small money, it really doesn't matter to me. I just get all my things that I need together and get out as quickly as possible.
Not to say people shouldn't get rich from art. I adore the alchemy wherein artists who cast a complex spell make rich people give them their money. (Just writing it makes me cackle.) But too many artists have been making money without magic.
What I think is dreadful about art is the way it's related to the money afterward. Not when you do it... But after that, it's like 5,000 rich people have access to it. A movie, even though it can be a bad movie or a good movie, it is more democratic. The people who buy my films, the people who buy my installations it's sometimes a foundation or a museum. When it's a foundation, it's related to very, very, very rich people - who are your enemies! Your enemies are feeding you. But you're not meeting them. So it's a very strange thing.
For after all, what is there behind, except money? Money for the right kind of education, money for influential friends, money for leisure and peace of mind, money for trips to Italy. Money writes books, money sells them. Give me not righteousness, O lord, give me money, only money.
We know India is very focussed on black money; it is a very high-focus subject and we have been very careful to make sure the investments into India are legitimate. There is no 'round-tripping' or hot money or bad money being funnelled through Singapore.
Once we get them in the studio, you interview a person the same way you would interview another. You ask them a question. You let them answer. You try to listen closely and then ask a follow-up.
Certainly there are things in life that money can't buy, but it's very funny - Did you ever try buying them without money?
When I write, I never think of segments as chapters; I think of them as scenes. I always visualize them in my mind. Then I try to get the scene down on paper as closely as I can. That's the one thing that readers don't see - what you have in your mind. The reader can only see what you get on the page.
The type of music we know as classical music began with rich people hiring musicians or owning them in a way. Without funding, it's very hard to have this experience. Be it state money or private money, there has to be someone dedicated to raising the money.
Imagine you have six loans, small to huge. People want to close loans and because of that, they try to pay off the small loans, but that's not the right strategy. The right strategy, of course, is to pay the loan with the highest interest rate. People make this mistake and it costs them lots and lots of money, it's a very expensive mistake because interest rates accumulate and become very, very expensive very quickly.
For artists it's a lot easier to make art in bad times than it is in good times. When you've got no money it's easy to just drink your way through it and make great art. But if you're making lots of money it can be very problematic.
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