A Quote by Daveed Diggs

To be rapping in a musical on Broadway is just - that sentence doesn't make any sense in my brain. — © Daveed Diggs
To be rapping in a musical on Broadway is just - that sentence doesn't make any sense in my brain.
I've had offers for Broadway and Hollywood musicals, but I do not want to take just any musical. I want the musical that's right for me when I'm right for it.
When I was a kid, I never thought I would ever be able to make records and never really thought seriously about a musical career because a musical career was being Fabian or Frankie Avalon or something. It didn't make any sense. There wasn't any possibility to get into that world.
That doesn't make any sense. Sorry. There's no known way of saying an English sentence in which you begin a sentence with "in" and emphasize it. Get me a jury and show me how you can say "In July" and I'll go down on you. That's just idiotic, if you'll forgive me for saying so. It's just stupid... "In July"; I'd love to know how you emphasize "In" in "In July". Impossible! Meaningless!
When our worries and fears just don't make sense, it's possible we are trusting the part of the brain that doesn't make sense... it just reacts.
Broadway has changed tremendously from the early days when the shows were referred to as musical comedies. Musical Theater is now a more expanded art form. Back then, singer/actors were not the norm. From the 60's to now, it is necessary to do it all to be a consummate Broadway performer.
I would love to do a non-musical Broadway or Off-Broadway play.
There is nothing wrong with loving musical theatre, but I think that it's naive to hold it superior any other musical classification, especially since these other genres have been influencing Broadway more and more in recent decades.
There are values on Broadway that are dangerous: it's got to be Best Musical, it's got to make money, it's got to run a certain amount of time. Nowhere in this, of course, is there any mention of quality.
I'm a human rights activist and it doesn't make any sense not to treat everybody the exact same way. It just doesn't make any sense, it's counter intuitive, it's inhuman and it has to stop.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
I'm a weird dichotomy of nerd, sports fan, and musical theater, so I'd love to do a superhero musical on Broadway. But all the good superheroes are claimed.
I started rapping towards the end of middle school. In high school, with a lot of my friends, we would make beats and just start rapping - beating on the wall, beating on the table and freestyling.
I have always wanted to do Broadway, my whole life, but I never knew I'd actually make it - it's a dream; it's never been in the realm of possibility. So to be doing 'Hello Dolly!,' it's not just Broadway, but it's the most joyful, sort of classic Broadway experience with the most extraordinary company.
There's been lots of theater that uses hip-hop in it, but more often than not, it's used as a joke - isn't it hilarious that these characters are rapping. I treat it as a musical form, and a musical form that allows you to pack in a ton of lyric.
The brain is full of lonely ideas, begging you to make some sense of them, to recognize them as interesting. The lazy brain just files them away in old pigeonholes, like a bureaucrat who wants an easy life. The lively brain picks and chooses and creates new works of art out of ideas.
Rapping was a hobby; when I went to college, there were a ton of dudes rapping. I think that's where I got my rapping chops up.
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