A Quote by Daveed Diggs

I majored in theater. I did plays. But musicals were not my thing. — © Daveed Diggs
I majored in theater. I did plays. But musicals were not my thing.
I majored in theater in college. I did a couple of plays in high school, and I really enjoyed it, so I went to Illinois Wesleyan University and got a degree, and then I went back to Chicago and started doing theater in all the companies around the city for about 11 years before I moved out to L.A.
I went to Elon University and studied musical theater. I usually did two musicals a year, but I also did a couple of plays. That was sort of always where I felt the most relaxation.
I love film scores and opera, and I wanted to work in those forms. But theater was more accessible. And no one was doing this in the late 1970s, when I began working in the theater. So, I have written scores for thirteen plays, which are not musicals, but straight plays.
So way back, Jonathan and I were - we were entertainers as kids. We were actors; we did theater, musicals; we ended up getting into commercials and some TV spots. Actually, one of our jobs, we were clowns.
When I was in college, I started an improv group, and I did a bunch of plays and some musicals. I have a theater degree. I'm a school person: I like getting homework and having deadlines. When I graduated, I worked right away as an actor.
I double majored in English education and theater with a musical theater minor. Teaching is the only thing that makes me as happy as performing.
I've auditioned for musicals a lot, but I think my voice didn't really match what they were looking for. I went to school for musical theater for a year and dropped out. Legit musicals are not quite my forte.
When I first got to New York, all I did was musicals. After a few years I had to make a conscious choice to close the door on musicals, because I was getting pigeon-holed as a musical theater performer.
So I majored in Drama, did all the plays that were possible to do, skated through school in order to be in every production on stage or backstage in whatever capacity and I came to New York looking for work in the summers.
I love performing in a good straight play as well and I'm a crossover actor, I crossover from plays to musicals, musicals to plays. This is very difficult for performers.
I did start out as an actor. I went to Northwestern; I did musicals. I did plays.
I started working in New York City as an actor and did many plays. I did regional theater, smaller theaters, children's theater.
I was 22 and stopped writing plays, and I didn't start again until I was 25. I was writing badly. In college, I attempted to write these more conventional plays, but the theater I loved was downtown experimental theater. I didn't feel like I could do that either. It didn't occur to me to do my own thing.
My grandparents, Jim and Pat Moore, were an incredible couple. They drove me to the community theater, where I did plays as a kid.
I played a little basketball, but basketball interfered with theater season. That's when we did our term plays and did nutshell versions of Shakespeare for English classes. And, believe me, I got a fair amount of looks from the guys on the team. 'You're in theater but you can play football?'
I did all the musicals in high school, and I loved it. And then I got to theater school at college, and was like, "No, I'm a serious actor. I want to do Shakespeare. I want to do classical theater." I took myself very seriously.
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