A Quote by Daveed Diggs

I have a recognizable silhouette. — © Daveed Diggs
I have a recognizable silhouette.
All my career, I've said this: Critics and producers think audiences want actors that only present the silhouette and hit the points in the silhouette. What I do is too dangerous.
How was it possible to wake up every day and be recognizable to another when so often one was barely recognizable to oneself?
One key element to Hitchcock is the drooping jowl. That was crucial because his silhouette is crucial. There is something about his silhouette that became his brand.
I've been very, very successful at building probably the most recognizable, physically recognizable brand in personal development.
I threw a lot more curveballs in college and the minor leagues. Up here, they're looking for that pitch. A curveball is more recognizable out of the hand than a fastball or changeup. They're taking them or hitting the mistakes I make with them. I don't want it to be so recognizable. I'll have to work with that because that was my pitch.
It's Toby Jones playing Alfred Hitchcock, not Alfred Hitchcock. We all felt that his silhouette was crucial, so his nose and lips were crucial as well. We had to build it out a bit to get the silhouette. But, with my nose being so small within the proportion of my face, the first nose was too big. I felt like a nose on parade.
I feel like each time I do something I want it to be more and more recognizable that it's me so, by the time I do a film, my films will be as recognizable as someone like David Lynch or someone who's got their own thing going on.
A good cover has a distinct silhouette
That's what I'll be. A silhouette, rarely seen, and yet believed in.
In the summer of 80, Silhouette bought my first book.
In the summer of '80, Silhouette bought my first book.
When a silhouette or shape is as beautiful as it is functional and relevant, that's true luxury.
Embrace an effortless a-line silhouette in the seasons must have indigo shades.
The silhouette says a lot with very little information, but that's also what the stereotype does.
I'm just the mere shadow of my former selfishness. I crave the silhouette of your kiss.
It is most difficult to acquire the, how shall I say? the 'depth' of a subject in composition in silhouette.
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