A Quote by Daveed Diggs

I'm an artist, so days don't start on any regular time. — © Daveed Diggs
I'm an artist, so days don't start on any regular time.
Without fail, the days that I start off the right way with a little devotional time and putting God first. Those days are really good days.
And when they start riding a lot of them have full time jobs and are taking vacation days to get by. All of a sudden it becomes so addictive because you're out there with a bunch of women just like yourself, well educated, taking your vacation days, not making any real money, but we're having a blast. And that's US cycling.
I was associated with the Artist Placement Group in the early 1970s and David Hall, the video artist, was an Artist Placement Group artist. I was completely broke at that time, and he said to me, "Come and do some teaching" - he was head of department at Maidstone College of Art. And I went and did a couple of teaching days and practically the only person who showed up was David Cunningham [Flying Lizard's main man], with all of this finished work
There are sexual things that I do that aren’t for a man. I feel empowered sometimes by being sexy and being comfortable enough to be sexy on camera — a lot of woman [sic] struggle with that. But, there are some days that I don’t want anyone to see me. I’m just a regular girl. Some days, I’m super-strong; some days, I’m super-insecure. But, I don’t really identify with any particular label. I just speak my truth, and if people like it, they like it, and if they bash it, they bash it.
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
It's hard to prep a movie in five days and shoot it in five days and cut it in barely any time. You don't get quite enough time to make the thing, let alone tell the story.
I'm definitely not an outsider artist. I'm very much an insider artist. I get written about in art magazines, and I'm not, like, in a mental institution. I'm a regular guy who went to art school.
Ask any rapper or singer what artist they are an expert on. What artist are they looking to emulate, and really, what artist is the one person they are an expert on? You see, if you want any kind of longevity, if you want any kind of legacy, you need to know what ancestral line you are from.
Unlike a lot of choreographers, I don't always start with the music. I often start with a visual artist, and then find music that fits the world of that visual artist.
You can never not feel like that, as a working artist these days. It's funny - time off makes me nervous, but so does time on. At least the pressure wasn't coming from outside.
Making social comment is an artificial place for an artist to start from. If an artist is touched by some social condition, what the artist creates will reflect that, but you can't force it.
Every one of us is an artist, and as an artist, you really can stroll into any venue that you want, as long as you take your time to learn the etiquette of that venue.
Any authentic work of art must start an argument between the artist and his audience.
I'm pretty faithful to one fragrance, but I go through phases. It's more about times and moods than moments in the week. In my life, I don't really have a Saturday and Sunday - you might get days off in the middle of the week and work on the weekend. I wear Roberto Cavalli all the time now. Fragrance is an extension of yourself, you need to feel like it's part of you and you can wear it in any situation and it just represents you, any time of the day, any time of the week, any time of the month.
I was a cover artist for years. I didn't start writing songs until I was in my mid-twenties. I wrote them with John Leventhal, and they were pretty bad. I was in my late twenties when I wrote the first song with him that made any sense to me about what I was rooted in and what spoke for me as an artist. That was 'Diamond in the Rough.'
Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one
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