A Quote by Daveed Diggs

There's this thing about authenticity when you rap, right? Whether or not it's real, it has to feel real. — © Daveed Diggs
There's this thing about authenticity when you rap, right? Whether or not it's real, it has to feel real.
I feel like when it comes to rap - like, real rap music - and knowing the pioneers of rap, I feel like there's no competition for me in the NBA. Other guys can rap, but they're not as invested or as deep into actual music as I am and always have been. I think that might be what the difference is. I'm more wanting to be an artist.
The real thing is not the goal, the real thing is the beauty of the movement. The real thing is not reaching, the real thing is the journey. Remember, the real thing is the journey, the very traveling. It is so beautiful, why bother about the goal? And if you are too bothered about the goal, you will miss the journey, and the journey is life - the goal can only be death.
A lot of cinema is about the game of authenticity - do you feel it's real?
The most distinguishing element of my novels is that I try as hard as I can - within the context of a popular commercial thriller - to make them feel authentic. Drawing on real locations and real events is part of that authenticity.
The best ones - Hulk Hogan believes in Hulkamania. It's not a thing he's selling here. It's real. He knows it's real because he goes to the Mall Of America and everybody goes insane, right? Wrestling is real. Those characters are real.
No one raps about food like I do. I rap about fine dishes - like, all kinds of things that only real chefs and real foodies are going to know about.
The roots of rap are originally ghetto-ised or extremely working class. So when you're an artist who's making something which isn't how its mainstream appearance should be, there's always these strange questions of authenticity and what you have to do to be 'real' as a rapper.
I rap when I'm rich. I rap when I'm broke. I rap when I'm bullshit in the street. I rap about only having one woman now. If you can look at a continuum of my career, it's been an evolution of a real dude. So when I say I take my wife to the strip club, we're there, at the five-dollar joint. More than anything, I want people to take away that I'm not mainstream act.
Baseball is actually interesting, I don't find me to be that interesting. But I am realistic enough to understand it's not about me, it's about the fact that I'm speaking for the game and people care so deeply about the game that they're watching to make sure that you do the right thing. And I feel a real responsibility to try to do the right thing as a result.
One thing about America is Americans are real people. So it's like, if they see that you're real, this is real, then they're gonna relate to it.
The standard that measures two things is something different from either. You are, in fact, comparing them both with some Real Morality, admitting that there is such a thing as a real Right, independent of what people think, and that some people's ideas get nearer to that real Right than others.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
I want everything, no matter what concept or genre, to feel real, because it is real. I want to keep making real music, I hope people remember me for that, that's a good thing to be remembered for.
Real life is a funny thing, you know. In real life saying the right thing at the right time is beyond crucial.
The thing I learned about being in this industry is the core of hosting and the core of acting is authenticity. So if you're just real in those moments, no matter what you're doing, that's what translates and makes you successful.
Real integrity is doing the right thing, knowing that nobody's going to know whether you did it or not.
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