A Quote by Davey Havok
Straight edge came out of the hardcore scene. I don't necessarily believe, as some people believe, that you have to be a part of the hardcore scene to share that philosophy and stance against recreational drug use. But it is where it came from, and it is where it influenced me to be a part of it.
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Here in Ohio, the hardcore scene is a big thing, so some of our good friends are in hardcore bands. So we've had to figure out how the heck we get these people to respect us.
When I first started playing metal, lyrically, I sort of related a little bit more to the punk and hardcore scenes, where there was a lot more veganism and straight-edge people and people taking a stance for causes that they believe in.
Even within the context of the alternative scene I was a part of, within punk and hardcore and the alt scene, there was a focus on self-destruction.
What is hardcore? Hardcore is not just being hardcore, hardcore is going in the ring and giving 100% of yourself. Hardcore is great fans.
I'm an emotional actor. When I'm doing a scene, I really believe it. I live the part as long as I'm in the scene.
I respect Chris Carrabba as a songwriter and I also respect his past. He's got this fierce, straight edge, kind of hardcore core. There's so many songs that people are connected to and they all came together in a kind of DIY way, which I really do respect.
I like a lot of hardcore, but it's just a genre about which I don't have much to say. It's kind of a thing where, unless you're active in the hardcore community, what could you have to say of value about it? It resists criticism because it's not just a style but an entrance into several different worlds of ideas- political, philosophical, societal. The music is really only part of the whole scene. In that sense, the music doesn't change much because it shouldn't: It needs to be there as a signal that you're entering into a certain discursive mode, maybe.
I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template.
When Superman came out it galvanized the entire industry. It's just part of the American scene.
I came to be a part of the ballroom scene in late 1993. I was living in Baltimore, and i was going through that phase in high school when no one understood me. I was sneaking out of my house to go to this group that was for gay-identified people, and I just didn't fit in.
People used the term "hardcore" loosely. A lot of bands use it as a jumping stone to the next level. Hardcore, it's got a lot more to with then music. It's a very passionate movement.
Whether it's one scene or 15 scenes in a film, whether it's the lead or a cameo part, if I don't find it interesting, I tend not to do it. You never really know what it is. It could be a one-scene part. I remember I read the one scene in Crash and was asked to do it. I was like, "Absolutely!" There's no formula for how something has to be. I always try to keep it that way.
I actually went to see 'Rushmore,' and I came late, and I missed myself. It was great, that scene. I caught that scene the other day on TV, funny enough, the first scene that you see with Jason Schwartzman and myself, where we talk about his grades. That's a brilliant scene, and I have to say, we play it brilliantly.
Rock and Roll has certainly tried to take its toll on me. I'd rather not talk about my past excesses here, although some hardcore rockers might argue that those excesses were responsible for some great records, but I know which side I came out on.
For me, hardcore is simply unapologetic music, free of rules.
By that definition, we are a hardcore band.
I'm UCB trained - I came up learning about game, which is a really big part of the Upright Citizens Brigade theater. They teach you about game, and game in a scene is what makes the scene funny. And oftentimes, it's the character - this is really improv dorky stuff.
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