A Quote by Davey Havok
To me, 'Crash Love' is the most stripped-down record that we've made since the early Nineties, and I would say that 'I Hope You Suffer' is indicative of the overall tone of this record in being the opposite of that.
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I think it's stripped down as far as electronics go, but we just wanted to write a record that we felt better represented how we sound live with more of a rock feel, which is the direction we've been heading. It's just an evolution of the band throughout the years. We worked on this record longer than any other record, so I don't know if "stripped down" is how I would put it; I think it is a little bit more raw sounding.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
Sometimes people just see the overall success and it overshadows our true love for music and how much we love to record. I love to record music and I love to see the reception of it even more!
I don't like to say, Oh, this is my favorite record because there was a moment that that record made me feel a certain way. The one on the radio at the present moment could be the one that's most inspiring, because it's at that second that you're aware of "the infinite everything."
With Moloko, we tried to be the opposite of what was out there at the time. I like to be different. In the mid-Nineties, music was quite dour and serious, and everything was dressed down. So we went the other way. Our first record was about not wanting to do four-to-the-floor dance music.
Back in the early days like for the Temptations, Supremes and Four Tops, artist development was alive in record companies. Every artist had a moment to develop the record visually. When the web took over and camera phones, it stripped the artists of the power to figure it out. So there's a need to bridge that gap and that's my job.
I LOVE Taylor Swift's 1989. I think it's really cool at the moment that the production on her record is just as strong as the writing. I like the fact that the early nineties sound seems to have come back around
It's my first record since my son is old enough to understand and I can't even show it to him. Yes, it's affected me, probably in the opposite of how anyone would have thought.
But for me, I thought you made a record, you got on a bus, went out and played your shows and made a lot of money. That was the way it was supposed to go down. But there's a lot more to it than that. There are a lot of early mornings, late nights, a lot of traveling, a lot of being away from home, being away from your family.
When I was growing up, my mother would always say, 'It will go on your permanent record.' There was no 'permanent record.' If there were a 'permanent record,' I'd never be able to be a lawyer. I was such a bum in elementary school and high school... There is a permanent record today, and it's called the Internet.
When I was growing up, my mother would always say, 'It will go on your permanent record.' There was no 'permanent record.' If there were a 'permanent record,' I'd never be able to be a lawyer. I was such a bum, in elementary school and high school... There is a permanent record today and it's called the Internet.
I'm not anti single. I'm not one of them niggas that say "Aww record sales ain't everything." No. I wanna sell good. I would love a platinum record on radio and charts.
'Love Tattoo' I recorded without a record company. I'd gotten turned down by the record companies - they said they didn't get me, which is fine, I suppose.
When I was growing up, you would put on a KISS record or a UFO or Aerosmith record and listen to it from the first song through the last song. It's been so long since a band has put out a record like that.
It's always interesting to me to see people projecting things, like people would say, "This record is much more mature than your other record" and I would think, "Well, this record has more songs from when I was 18 on it than the other one."
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way. That is what is fun for me.
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