A Quote by David Adjaye

The houses [my first project in London] were reactions to the condition of the city and my frustrations with the norms that were being played out. In a way they were slightly subconscious but reactions to that condition and a way to posit new possibilities within certain pervasive norms.
My actions and reactions, and the way I treated certain scenarios, were way out of line, so I deserved some punishment.
When I was young there were lesbians who said "Oh, I will free myself of all norms of masculinity, all norms of heterosexuality ". And then, they ended up in very complex relationships that were maybe full of heterosexual power dynamics or full of lesbian forms of masculinity and they became very confused.
Beauty might prevail in the very short term, but in the medium and longer terms, cultural norms - primarily those values and norms influenced by family - were more important.
Myself, I happen to be married to an African-American woman, and we're together 17 years. We took a few trips to the South 15 years ago, and we were sobered by some of the reactions people had - how subtle or not-so-subtle their reactions were.
Donald Trump has taken a battering ram to longstanding political norms - the unwritten conventions that make governance possible. But even before he decided to run for president, those norms were under assault.
The way that social norms become social norms is not through any systematic process. It is through a flowering of an understanding within a culture.
My mother's suicide attempts were a way to release anxiety and get attention. Some of the attempts were drug reactions she didn't even remember later on.
The first meeting-houses were often built in the valleys, in the meadow lands; for the dwelling-houses must be clustered around them, since the colonists were ordered by law to build their new homes within half a mile of the meeting-house.
The media and the rest of popular culture weren't recording people's reactions to 9/11; they were forcing made-up reactions down people's throats.
Perhaps the best way to write is to do so as if one were already dead, afraid of no one's reactions, answerable to no one's views.
I remember the reactions I got when we first visited factories to inspect the projects that we were funding. It was not easy for people to see a woman there. That was a time when most of these workplaces were not even equipped with a loo for women.
Well, Led Zeppelin IV! That's it really. I'll tell you why the album had no title - because we were so fed up with the reactions to the third album, that people couldn't understand why that record wasn't a direct continuation of the second album. And then people said we were a hype and all, which was the furthest thing from what we were. So we just said, `let's put out an album with no title at all!' That way, either people like it or they don't... but we still got bad reviews!
We thought we were being mature when we were only being safe. We imagined we were being responsible but were only being cowardly. What we called realism turned out to be a way of avoiding things rather than facing them.
I joined the city government, and we start to operate as the bureaucrats on the local level, so we were the only ones in the whole Russian team who were experienced in practical bureaucratic management in the complicated condition of 1990.
The reactions of organic magnesium compounds are of two kinds - reactions of substitution and reactions of addition.
It is a dreadful thing to see the dead city. Next to the port I found children, women, the old, waiting for a way to leave. I entered the houses, there were houses where the coffee and pita bread were left on the table, and I could not avoid [thinking] that this, indeed, had been the picture in many Jewish towns [i.e., in Europe, during World War II].
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