A Quote by David Adjaye

Context is so important, not to mimic but to become part of the place. I wanted a building that acknowledges its surroundings. — © David Adjaye
Context is so important, not to mimic but to become part of the place. I wanted a building that acknowledges its surroundings.
When I saw there was interest from West Ham I wanted to become a part of what they are building here.
The design of the building addresses the public nature of both the urban context and the internal program. In order to reinforce the building's associative or mimetic qualities, the facades are organized in a classical three-part division of base, middle or body, and attic or head.
I think that place is a huge part of pretty much any musician's work, in how one responds to an environment, whether it be your actual surroundings or the more figurative place we're all living in.
One of man's basic concerns is a house - a place to find protection from the rain and elements. But a house can be much more than a building. It is the social context of his family life -\-\ the place where he loves and shares with this closest to him.
It's a very important part of my life: parents and church - and your surroundings.
A building does not have to be an important work of architecture to become a first-rate landmark. Landmarks are not created by architects. They are fashioned by those who encounter them after they are built. The essential feature of a landmark is not its design, but the place it holds in a city's memory. Compared to the place it occupies in social history, a landmark's artistic qualities are incidental.
Narrative is so important for building the sexual tension. Can you imagine a horror movie that only shows the blood, with no context? I think women need to get to know the characters before they start stripping.
Diversity means, when the left teaches it, the people responsible for building America and maintaining it get the short end of the stick from now on. With this singular American culture that people came and wanted to be part of, they were proud, couldn't wait to become Americans, tears in their eyes when it happened. It was a special place. Defending it now, defending that America, defending our cultural, defending our founding, defending all of the things that made this country great is now called racism or xenophobia or hate.
Stories mimic life like certain insects mimic leaves and twigs.
The most important part of my work on The Orion Building was the creation within the apartments of living space which inspires people and the way they live their lives, whether they have bought a one-bedroom apartment or the penthouse. This building is beautiful to see, sense, and experience.
I think the context of the era was still really important for Daphne's character arc, so I wanted to get all of that right.
Building a set is like building a place, but it's a temporary place, because sets usually get torn down. Kind of unfortunate.
There is nothing more important for us in Maine than to welcome immigrants and help them not only become part of our community but for us to become part of their communities.
World-building numbs the reader's ability to fulfill their part of the bargain because it believes that it has to do everything around here if anything is going to get done. Above all, world-building is not technically necessary. It is the great clomping foot of nerdism. It is the attempt to exhaustively survey a place that isn't there.
When I was in school, I conceptually didn't want black people to have context, to take it out of all that history. I wanted nothing to indicate where they are or what time it is, to place them anywhere.
The hard truth is that what may be acceptable in elite culture may not be acceptable in mass culture, that tastes which pose only innocent ethical issues as the property of a minority become corrupting when they become more established. Taste is context, and the context has changed.
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