A Quote by David Alan Basche

A fan once stopped me outside a theatre and gave me as a gift a signed photograph of Sir Laurence Olivier. It was strange, but nice, too. — © David Alan Basche
A fan once stopped me outside a theatre and gave me as a gift a signed photograph of Sir Laurence Olivier. It was strange, but nice, too.
I started being interested in acting when I heard the voices of Sir Laurence Olivier and Sir John Gielgud and Sir Alec Guinness. I've had the great privilege of working with Sir Derek Jacobi and Sir Anthony Hopkins. These are people who inspire the work that I do.
I started being interested in acting when I heard the voices of Sir Laurence Olivier and Sir John Gielgud and Sir Alec Guinness. Ive had the great privilege of working with Sir Derek Jacobi and Sir Anthony Hopkins. These are people who inspire the work that I do.
I would have liked Sir Laurence Olivier to ask me to go to the Old Vic and let me play all the roles Judi Dench got.
Yes, it's true, I've been called the Laurence Olivier of spoofs. I guess that would make Laurence Olivier the Leslie Nielsen of Shakespeare.
But as I grew up as a child, falling in love with the theater and Shakespeare, my heroes were Sir Laurence Olivier and Sir John Gielgud.
When I came into the acting profession, it was quite hierarchical. You didn't sit at the same table as the leading actor. Sir Laurence Olivier, Sir John Gielgud... these were very, very intimidating and powerful people.
I studied at the Bristol Old Vic Theatre School, which was founded by Laurence Olivier and has alumni like Jeremy Irons and Daniel Day Lewis. It's a very erudite institution; its ethos, really, was always theatre-based.
To have a childhood surrounded by people like Sir Laurence Olivier and Vivien Leigh sounds glitzy, but for years I wanted to repress it. I couldn't take that kind of power and success.
On my wall, along with my favorite football players and baseball players, I had Marlon Brando and Sir Laurence Olivier. These were childhood idols.
Someone I loved once gave me a box full of darkness. It took me years to understand that this too, was a gift.
I grew up with the great Sir Laurence Olivier, and I think it's fair to say that a lot of actors of my age were influenced by his very individual vocal delivery. He was a showman who would always play to the gallery.
Laurence Olivier said if you have ambition to be a serious classical actor, you must be as fit as an athlete. For me, the breakthrough was going to live in California. I exercised. I drank less. It was one of the things about California that had a positive impact on me.
It was a really strange way that I came into music. Once I gave voice to it, the pit of emotions that I guess I knew was inside of me for a long time, the stream never really stopped.
I played Othello, but I didn't sit around thinking how Laurence Olivier did it when he played it. That wouldn't do me any good.
On Laurence Olivier as Hamlet in a 1948 film: Olivier's idea of introspection was to hood his eyes, dentalize his consonants and let the camera circle his blondined head like a sparrow looking for a place to deposit its droppings.
Sir Alex Ferguson sent me a letter wishing me good luck before my fight with Floyd Mayweather Jr. He also sent me a United shirt, signed by all of the players. It was a really nice touch and typical of the man who has always made himself available to managers in this country whenever they've needed advice.
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