A Quote by David Alan Basche

As an actor, I'm always critical watching others; it's just the nature of the beast. For me, any performance that doesn't cause my ego to say, 'I can do that' really signifies that it's spectacular.
I am very self-critical and always will be. I think this makes me want to improve, always. But just because I'm self-critical and say what I thought of my performance in a game, it doesn't mean I will bring myself down, ever.
You can say something that can really help and actor and you can say something that can really get in the way of an actor's performance, kind of cut them off from their instincts and really get into their heads. And every actor's different. Every actor requires something different. Being an actor, for me, was the greatest training to be a writer and director.
I've never acted before in a movie I've directed. This felt like the time to do it just because the " Leaves of Grass" movie itself is so much of a platform for the lead actor. It's really written for an exciting performance and it really depends on the audience watching an extraordinary actor having a great time pulling off this feat. It makes sense to me as a director to act in support of that.
It's true, spectacular preparation always precedes spectacular performance.
You have to have an ego to be an actor, but you need an ego just to get through life! Unless you want to sit on a corner and suck your thumb, it takes a healthy ego to get up in the morning and say, 'I deserve to be here.'
I find my own pain and others' difficult to tolerate, so I always want to try to shift things so they'll be better. But in doing that, if I am coming from a place of ego, I often cause harm. So it's a struggle for me to set my ego outside and find a softer and more compassionate way of approaching things.
Sunrise looks spectacular in the nature; sunrise looks spectacular in the photos; sunrise looks spectacular in our dreams; sunrise looks spectacular in the paintings, because it really is spectacular!
I've always felt it's the directors purview to say what; it's the actor's purview to say how. It's not good for an actor to have the big picture in mind - it bollocks you up. An actor's purview is the tiny little... We measure our performance in seconds.
On just a personal level, since I was little, I've loved fairytales, especially this one, because it is about what goes into making a beast a beast. Do you start as a beast? Do you turn into a beast because of the way that people treat you? I think it's something that is really universal and hit a chord with me when I was little, and so, hopefully we can explore some of that.
Critics... They're like traffic cops. They say what they have to say, then leave, and another guy moves in ,and he has his say - and it's often just the opposite. The result is either critical acclaim or critical murder, and neither has any bearing on my music or direction.
I just look for another spectacular fight, another spectacular one-sided performance.
I'm really not an actor of any kind. I've always seen myself as an entertainer, someone who makes people laugh. That's all I've ever wanted to do. 'Doctor Who' has always just been me, really.
Restoration I did because I really loved e novel and I like Michael Hoffman, who directed it, but it wasn't a really challenging part for me. I'm not critical of the film: I just don't think I gave a very interesting performance.
It is impossible to give a performance that makes you unaware of the fact that you're watching an actor and be really involved in all aspects of filmmaking.
I have been in the industry for many years now, but people still come up to me and say, 'Sir, you're such a good actor. We loved watching you in that movie. What's your name?' While any other actor might get offended, I don't mind this at all.
Take any movie with an actor you like. Turn your head and just listen to the performance. In some cases, the physical presence remains as strong when you can't see the actor, when it's just the voice.
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