A Quote by David Allan Coe

If there ever was a poet for the working class Billy Joe Shaver and Merle Haggard would be my nomination. — © David Allan Coe
If there ever was a poet for the working class Billy Joe Shaver and Merle Haggard would be my nomination.
If there ever was a poet for the working class Billy Joe Shaver and Merle Haggard would be my nomination
I listen more to music when I'm on my computer. I'm into the latest YouTube thing. I'm a nanosecond kind of listener, but if I'm driving I would be listening to a Merle Haggard box set. It's a weird experience listening to 'Working Man Blues' by Merle Haggard and cruising around in a Porsche.
Merle Haggard once said, 'I'm really mad at Glen Campbell because he's the most talented human being in the world.' That kind of summed it up. Merle didn't miss!
Around 14, I was turned on to Shania, Reba, Merle Haggard, Garth Brooks, Trisha Yearwood... and I've followed it ever since.
I hung out with Merle Haggard on his bus, which sort of freaks me out. It was him and his wife. We played with Merle in Oklahoma City. I'm from Arizona, and we talked about Arizona, and he remembered playing for two dollars a day down there at a bar.
I had always loved music. I grew up listening to classic country, Waylon Jennings, Merle Haggard. My dad loved Vern Gosdin and Keith Whitley. So I kept going to class and started getting totally into playing guitar and teaching myself these songs.
Michael Rooker is like the Merle Haggard of the acting world. Never a dull moment.
God bless Merle Haggard. He did all the things that Johnny Cash was supposed to have done.
And I think it's safe to say that the single very impressive figure to me was Merle Haggard.
Some of my biggest commercial musical influences would be people like Merle Haggard, George Jones, of course, Johnny Cash. People that wrote and sang their own stuff, I really admired.
I'm a lover of old traditional country - George Jones, Merle Haggard, Tammy Wynette, Marty Roberts.
Willie Nelson, Marty Robbins, Merle Haggard and Keith Whitley - guys like that were huge influences.
The Bowery was a place that would let us do original songs - not just covers - but we would have to work for tips, so we learned how to work an audience. In order to keep our jobs, we had to keep people happy, so that meant playing the latest Lynyrd Skynyrd and ZZ Top or Merle Haggard.
I've had mentors who were kind of the troubadour singer-songwriters, like Merle Haggard, Loretta Lynn, Joni Mitchell, Bob Dylan and Neil Young, and that's just what I've always liked - people who would talk real honestly about their lives and their circumstance.
It's cool when your husband starts to sing some old Merle Haggard song and I can pop in with a harmony and it doesn't sound too bad.
In 1992 I was doing one of my first ever tours and I was in Heathrow airport and I saw these middle-aged musicians who had clearly been on tour for decades, and they all looked haggard and unhappy and unhealthy. I vowed to myself that I would never be that person. Flash forward 20 years and I found myself in Heathrow looking haggard and unhappy and unhealthy. I decided I would rather spend my time staying home working on music and making dinner with friends, instead of spending six months in a hotel in a state of depressing suspended adolescence.
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