A Quote by David Allen

If we didn't have any stress, we'd never grow and you'd probably wouldn't test your mettle and you'd probably wouldn't come up with a lot of creative stuff that people come up with by being somewhat on the edge.
You do stuff that gets a reaction and you think 'that's a winner' and then it never sees the light of day. But the thing with improvisation is that 90% of what you come up with won't be used and for good reason. But you keep going for the occasional gem that you might come up with. You do a scene and a lot of the time. We wouldn't cut. So, you come up with something that might be funny and then you go, 'alright, what else'? So, you kind of throw stuff against the wall and see what happens. But you've got to be prepared to make a fool of yourself.
When I came up, it was Macho Man and all these other guys, and you had to come up with your own stuff. If you didn't come up with your own stuff, you weren't getting over.
If you are rigorous in your own R&D in whatever your area is, you do your own testing, and you really stress-test the thing that you do, I think that gives you a tremendous amount of inner fortitude when you come up against the monolith.
People who don't like you almost never come up to you. That's a lot of years of saying things that I know a lot of people in this country hate me for. And the number of times someone has come up to me and said something negative, I could count on one hand.
I was specifically referring to the regular everyday people that you come across on your come up. You never know if that intern that you disrespected might end up being the CEO of the company one day, you honestly never know who's who. It's easy to treat the stars and the executives with respect but how do you treat the security guards or the waiter that serves your food? You may have to cross that bridge later.
I don't come up with ideas in a test tube; I come up with ideas by breaking test tubes. That's how I've always been.
Come fill up my cup, come fill up my can, Come saddle your horses, and call up your men; Come open the West Port, and let me gang free, And it's room for the bonnets of Bonny Dundee!
Husbands come and go; children come and eventually they go. Friends grow up and move away. But the one thing that's never lost is your sister.
To me, there's so much we don't understand about our world, and I think it's really fascinating to see these people come up with the stuff that they come up with.
When I'm playing any of my characters, I totally go into the realm of the character. That's when I'm able to come up with the most creative stuff, and I believe that's what connects with the audience.
When you're in elementary school, you get these amazing assignments, like to come up with your own animal, come up with your own city, come up with your own planet, what do the people look like; you're very much encouraged to be as imaginative as possible.
When you're trying to come up with a good approach to reporting on the bleeding edge of where the conversation's moving, you're just leaving a lot of people who aren't on the bleeding edge of that conversation out.
You need space to try things and create. It takes a long time to recalibrate if you let people pull at you all the time. A lot of stress comes from reacting to stuff. You have to keep a certain guard [up], if you're a creative person.
It was a village where I come from, obviously a lot smaller than London, so the support was unreal and close by. To come away to a new challenge, a new level, knowing that I was going to have to step up massively - not having those people around me was a test.
When I'm on the set, I'll come up with ideas if I'm sort of just between responsibilities, because there's a lot of sitting around on set. Invariably, though, the stuff I come up with on the set tends to be bad.
Come to the edge.' 'We can't. We're afraid.' 'Come to the edge.' 'We can't. We will fall!' 'Come to the edge.' And they came. And he pushed them. And they flew.
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