A Quote by David Almond

What are you?" I whispered. He shrugged again. "Something," he said. "Something like you, something like a beast, something like a bird, something like an angel." He laughed. "Something like that.
I don't like to have a bad time. I like to have fun with everything. I don't like feeling nasty, I like positive energy. So if we're all sitting in the car and it's quiet, I have to do something to make it unquiet and laugh or something - I just have to do something cool.
I would like to host a show, something like travel or cooking or something like that, something I'm really interested in, and so I'm pitching a couple television shows.
With something like Dropbox, it was immediately like, 'Wow, this is literally something that anyone with an Internet connection could use.' Everyone needs something like this; they just don't realize it yet.
I felt like I had lost something. But not something silly, like my keys or my gum; more like my arm or my foot, something that really mattered. Like something that I could live without, but would make life much harder if it were missing. And life is hard enough. Life is hard enough with everything we're given.
If I see something in somebody, if it's something similar in my shot, I feel like it's the same type of thing in life. People who tell you what to do all the time or have all the answers for you, it's like, 'OK, whatever.' But if you've gone through something in life, you can speak to something a little more.
Sometimes it's not like I write very specific, it's more like I add an atmosphere almost to something that might have been quite awkward in my mind from the beginning. Something has happened and I want to force myself to think of it in a more positive way. And then I force myself to write something that convinces me that this is actually something pretty good or something that I learned something valuable from.
I can't imagine myself doing something like 'Narnia' again. I would love to do something with Ridley Scott, you know, some action/adventure or something like that. But I'd also love to do a dramatic piece. It's really just whatever you read and take to.
If your audience doesn't like something, you should think to yourself, "Well, why don't they like something? Is there something wrong here?" And, if they like something, you should think to yourself, "Why do they like it? What am I doing right here?," and deal with those issues.
If you are in your everyday life, and you feel like you just accomplished something big that you had going on, then that's Beast Mode. It's an accomplishment, that you put yourself through something to get something better out of it. I feel that that's Beast Mode.
There's something strange about comedy requests. I guess if you enjoy something, why not hear it again? But there's something weird about it being live, when the person is there, and asking them, "Hey, do this thing like you did it, but make it seem like you're making it up on the spot.".
It's like something happened to you that caused you to do what you do...you heard something somewhere, you felt something about this music that was definitely part of your own vision. That's what the whole thing is like.
I always look for projects that are risky and ones that want to do something unique. If audiences don't like it, you feel good knowing that you were brave enough to do something original. If they do like it, you feel like everyone is rewarded, because we all got to see something new.
As a species, we're not only wired to choose today over tomorrow, but we hate to feel like we're losing out on something. The bottom line is, if we feel like we're losing something we avoid it, we won't do it. That's why so many people don't save and invest. Saving sounds like you're giving something up, you're losing something today. But you're not.
I have to dig from myself versus digging from something that I like. Digging from something you like is easy whereas from your inside, it's a totally different ballgame altogether. That's not a matter between picking red and blue, it's not like that. It's a decision, it's a choice and, like I've said in the past, it's like jumping off a cliff and hoping you survive the jump.
Any sizeable Portuguese town looks like a superstitious bride's finery - something old, something new, something borrowed, and something blue.
Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.
This site uses cookies to ensure you get the best experience. More info...
Got it!