A Quote by David Almond
I learned to be a regional writer by reading people like Flannery O'Connor. She was a huge influence.
Related Quotes
Flannery O'Connor is my creative hero. I think she's the greatest American writer. Her book, 'Mystery and Manners,' is my creative bible.
As Flannery O'Connor says, a person can choose what she writes but she can't choose what she makes live. Some people are really acoustic writers and so for them the secret revision is sound. Other people may revise in terms of the way a paragraph feels. There's a million ways to do it.
I've always been drawn to dark stories. I enjoy reading Flannery O'Connor, Patricia Highsmith, and Margaret Mitchell.
The book that first made me want to be a writer is Flannery O'Connor's short story collection 'A Good Man Is Hard To Find.'
When I was twelve, I started reading Eudora Welty, Thomas Wolfe, Flannery O'Connor, James Agee, and - do we dare breathe the name - William Faulkner.
In college, I had a big fixation with Southern Gothic literature. Flannery O'Connor, I read every word she's ever written.
I don't want to pretend like I'm some intellectual person who understands Flannery O'Connor.
I never got too specialized but did like the Southern Gothic writers like William Faulkner and Flannery O'Connor.
I'm really influenced by Southern novelists, not many movie people. More like John Faulkner, William Faulkner, Erskine Caldwell, Flannery O'Connor, John Steinbeck, and people like that.
The phrase the violent bear it away fascinated the 20th century Irish-American storyteller Flannery O'Connor, who used it as the title of one of her novels. O'Connor's surname connects her to an Irish royal family descended from Conchobor (pronounced Connor), the prehistoric king of Ulster who was foster father to Cuchulainn and husband of the unwilling Derdriu. In the western world, the antiquity of Irish lineages is exceeded only by that of the Jews.
Flannery O'Connor was a revelation for me. When I read her, I was very young, and I didn't understand what she was doing. I didn't see the - any of the Catholicism or any of the social stuff.
Flannery O'Connor was a revelation for me. When I read her, I was very young, and I didn't understand what she was doing. I didn't see any of the Catholicism or any of the social stuff.
I like big doses of grief when I read: Richard Yates, Flannery O'Connor, Kenzabaro Oe, Thomas Bernhard.
Like Flannery O'Connor, McCorkle's genius is to give us both philosophical speculation and a riveting narrative filled with unforgettable characters. Great writing, poignancy, humor, wisdom-all are in abundance here. Jill McCorkle is one of the South's greatest writers; she is also one of America's.
'Orthodoxy' is the seminal book of ideas in my life. That book I've read more than any other book. It's the spinal column that leads up to my brain and informs the way I think. Flannery O'Connor is my favorite American writer.
In 1964, at the age of 39, Flannery O'Connor died from complications of lupus. She had lived with this autoimmune disease for 14 years, primarily confined to her mother's farm, Andalusia, in Milledgeville, Ga.
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