A Quote by David Almond

The sounds and rhythms of words are really important to me. — © David Almond
The sounds and rhythms of words are really important to me.
We haven't really - it's harder for us to set those rhythms. So it's really important to keep a steady bedtime and wake time to really lock in those rhythms.
I have this theory that the more important and intimate the emotion, the fewer words are required to express it. For instance in dating: 'Will you go out with me?' Six words. 'I really care for you.' Five words. 'You matter to me' Four words. 'I love you.' Three words. 'Marry me.' Two words. Well, what's left? What's the one most important and intimate word you can ever say to somebody? 'Goodbye...'
I like to play with words and the sounds of words - that's extremely important to me.
Somewhere along the line the rhythms and tonalities of music elided in my brain with the sounds that words make and the rhythm that sentences have.
My musical instrument is Hebrew and, to me, this is the most important fact about my writing. I write in words. I don write in sounds or in shapes or in flavors. I write in words. And my words are Hebrew words.
The rhythms of nature - the sounds of wind and water, the sounds of birds and insects - must inevitably find their analogues in music.
In a broader sense, the rhythms of nature, large and small - the sounds of wind and water, the sounds of birds and insects - must inevitably find their analogues in music.
Flamenco is Arabic music and rhythms filtered through centuries of gypsies making music. The gypsies themselves came originally from India. And then there is the Caribbean influences... This whole idea that there is any such thing in music that "purity" is bunk, it just doesn't exist. I love that I am playing these rhythms to people. And the next time they hear something that's maybe a little more exotic, I have created a little bridge, and they are going, "Oh, this actually sounds really cool. It reminds me a little bit of that, but it's something different."
In English, the sounds and melodies I created were an inspiration to me, and words came to me as I explored the sounds, and from there I was able expand on the meaning.
Rhythms and sounds are often the first thing I hear and want in a poem, so I can't imagine trying to translate something without at least being able to hear what it sounds like.
How lovely it is that there are words and sounds. Are not words and sounds rainbows and illusive bridges between things which are eternally apart?
My professional success is really important to me, and my career is really important to me. It's the most important thing to me outside of my family. I take it very seriously and work really, really hard at it. Family comes first, but this is something that's really important to me too.
When you make a melody that doesn't come with words from the get-go, sometimes you're just thinking about random vowel sounds that go with it - and it's really, really hard to write lyrics that actually obey the vowel sounds.
Spanish and English have such different music, and in my own poetry I feel much less drawn to fluid sounds than I do toward the hard sounds and rhythms that come out of the Anglo-Saxon roots of English.
I just hear a beat and start mumbling words. I just hear sounds and rhythms, and it just kind of comes intuitively. Formatting a song, figuring out a flow, how I respond to the beat.
When I started rhyming, my favorite rhythms were from John Coltrane and some of the things he did on sax. And certain rhythms that I hear on drums, I try to emulate with my words, dropping on the same patterns that them beats or them notes would hit.
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